Friday, December 31, 2021

When the Stars Go Dark

Title:
  When the Stars Go Dark
Author:  Paula McLain
Publication Information:  Ballantine Books. 2021. 384 pages.
ISBN:  0593237897 / 978-0593237892

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "The mother who tore off her dress when the  police came to her house with the news and then ran down the street in only her shoes, while her neighbors, even the ones who knew her well, hid behind their doors and windows, afraid of her grief."

Favorite Quote:  "For the longest time, I stand on Lansing Street thinking about beauty and terror. Evil. Grace. Suffering. Joy. How they're all here every day, everywhere. Teaching us how to keep stepping forward into our lives, our purpose. Long ago Corolla told me that it's not what happens to us that matters most, but how can learn to carry it. I'm starting to understand the difference, and how maybe the only way we can survive what's here, and what we are, is together."

The author's note for this book points out. "Every 73 seconds someone in America becomes the victim of sexual assault. Every nine minutes one of those victims is a child. 82% of victims under the age of eighteen are female." These are mind boggling statistics.

Within this statistic, the book weaves in the actual history of Polly Klaas. In 1993, twelve year old Polly Hannah Klaas was kidnapped from her home during a sleepover. The search for Polly lasted almost two months. During this time, the information about her disappearance was shared far and wide, with thousands of people at a grassroots level involved in the search for Polly. Sadly, only her body was found. She had been strangled. I don't know if Polly's family gave permission for the inclusion of her case in this book or if the information used is public record. I would hope that it would not hurt them in any way and perhaps even bring peace that their daughter is remembered and that talking about her may save someone else. I, for one, would not know about Polly Klaas except for this book.

Within these statistics and this historic case, the book builds the fictional story of a missing teenager in Mendocino and that of detective Anna Hart. Anna Hart is a product of the foster care system. A fortunate placement with a couple in Mendocino brought love and a home, but she has not been back for years. She is passionate about her work as a police detective, often working with the most fragile of victims. Trauma in her adult life brings her "home" again. News of a missing teenage forces her to get involved. That sets her on the trail of a kidnapper but also brings her fact to face again with the traumas of her own past.

To me, this book is not really about the suspense of who the kidnapper is. I do guess that relatively early on simply because there are not that many characters in the book. To me, this book is also not really about the life Anna is running from - her husband and her child. I do wish more had been explained about those relationships.

To me, this book is about the damaged, flawed characters all dealing with the traumas of their past. It is about the emotional and psychological impact of childhood traumas. It is about bringing attention to the so very important issue of abuse and violence against women, particularly against children. The book is dark - by title, by subject matter, and by tone. However, it ends on a note of hope and light in some ways. It brings the statistics to life in a tragic, visual way that I will remember for a long while.

The author's note comes at the end of this book. I am very curious as this book is such a departure from the historical fiction I have read so far from the author, and I want to understand from what the story emanates. This is certainly not what I expect. "Writing a novel is such an interesting mix of effort and surrender, of control and vulnerability. It wasn't until late in the stages of drafting that it fully dawned on me just why I was so drawn to tell this articular story and not any other. My troubled detective, Anna Hart, is obsessed with trauma and healing, with intimate violence and the complex hidden connection between victims and predators, because I'm obsessed with those things, and long have been. I've given her other parts of me too - a version of my childhood spent in foster care, and my abiding love of the natural world as deep medicine. What Anna knows and thinks about the hidden scars of sexual abuse, I know as a sexual abuse survivor." Wow. Just wow.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Thursday, December 30, 2021

The Beautiful Ones

The Beautiful  Ones
Title:
  The Beautiful Ones
Publication Information:  TOR Trade. 2021. 304 pages.
ISBN:  1250785561 / 978-1250785565

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "Hector was like a castaway who had washed up on a room of velvet curtains and marble floors."

Favorite Quote:  "All we ultimately have to do is believe. We focus our mind on one single point, one single purpose, and we push. We grasp. We manipulate wood and glass and iron. However, the greatest trick is the belief. Belief is what makes it read."

Who are the beautiful ones of Loisail? They are the notable, wealthy elite. "Nothing matters more than money to us, the Beautiful Ones who walk down these city streets in pristine gloves and silk-lined garments. You can give yourself the luxury of love because you are not one of us. That is why you are my friend: because despite everything, at heart you remain an innocent."

Amongst the beautiful ones are two relative outsiders. Antonina "Nina" Beaulieu has been sent to her cousin's house for the Grand Season; she comes with her family's hopes that she will make good match. Hector Auvury is telekinetic who has traveled the world as a performer but who has returned to Loisail in the hopes of reconnecting with his former fiancé Valérie Beaulieu. Valérie Beaulieu, as the name might suggest, is married to Nina's cousin. As a way of approach, Hector decides to get to Valérie by courting Nina instead.

So begins this triangle. It weaves through the drawing rooms, walks, and balls that comprise the Grand Season. Hector and Nina find more in common than they might have imagined. Hector still has to reckon with Valérie's betrayal when they were both young. Nina knows nothing of this past. Valérie bears her own regrets about trading love for wealth and security. "We say a great many things when we are young. Eventually, we grow wiser." With those regrets come anger and grudges.

The telekinetic skills add a mystery and fantasy to the story. The triangle includes twists that surprise. The era of the Grand Season and the wealthy adds a Victorian touch with "proper" behavior, societal censure, and even duels. The story is slow to begin but builds to a dramatic, unexpected conclusion. 

Through the book, the sweet, somewhat innocent country-cousin-come-to-the-city Nina evolves and finds her own strength. I find myself rooting for her in life and in love. Hector is the hero from the wrong side of the tracks trying to make good. Although his actions are not all likable, overall, he too is a character to root for.

What I find most fascinating of all is the dramatic difference between this book and the first I read by the author. Gods of Jade and Shadow is based in mythology, with gods and goddesses and the characters traveling through time and space. This one has its magical element but is a story very much of this earth and the have and the have nots. The villain in this one is very much human. That being said, both books are about young, independent female protagonists - completely different from each other yet both on a journey of discovering and honoring their own strengths. For that, both stories work. I look forward to what Silvia Morena-Garcia writes next.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Wednesday, December 29, 2021

The Betrayals

The Betrayals
Title:
  The Betrayals
Author:  Bridget Collins
Publication Information:  William Morrow. 2021. 416 pages.
ISBN:  0062838121 / 978-0062838124

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "Tonight the moonlight makes the floor of the Great Hall into a game board."

Favorite Quote:  "We search for the divine everywhere, she could say, and we may find it in the grand jeu or in the liturgy or both. There were grands jeux played in the Hagia Sophia and in the Al-Aqsa Mosque and at the Western Wall. It is modern arrogance to imagine that the divinity we hope to touch through the grand jeu is better than, or even different to, the deities of other religions. A young way to worship is not necessarily a better way, not is it the only way..."

Montverre

This book appears set in a controlled, dystopian society where disagreeing with the powers that be will get you banished or worse. There is the Party and the Old Man. Christians are also labeled, forced to identify themselves, and persecuted. In a different context and with a different faith, sound familiar? Unfortunately, the book takes this in such a different direction that it loses a historical correlation for me. I don't want to follow along to see the parallels the book may draw to the history.

There is a school that teaches student the "grand jeu" - the big game. However, the book never explains what that actually is. It is a mix of music, math, magic, and other things. I don't get it, for a book that is based on that, that is too large a challenge to overcome. The book attempts to make a philosophical point:
  • "The grand jeu is not a game. It is the opposite of a game It is our way of paying attention to something outside ourselves. And what is outside ourselves - whatever truly exists - is the divine. We remake the world so that we can submit to it, and what we encounter, in the act of playing the grand jeu, is the truth."
  • "The grand jeu is worship, isn't it? One way for humans to approach the divine. Trying to embody the truth and beauty. A testament to the grace of God in the minds of men."
Unfortunately, I don't see the correlation because I still don't understand what the game is and what it metaphorically relates to. So, I cannot go along for the spiritual journey.

For me, it becomes even more challenging that the experts of this truth seeking are two characters whose very life and pursuit of the truth are based in lies. Again, I don't get it. It unfortunately makes the characters unlikable and unsympathetic. So, I don't wish to go along for their journey.

There is another character named simply the Rat. The backstory and the unfortunate naming as a creature not a character never quite makes her real. Her correlation to the main story also never quite comes together for me. She may have had the most compelling story of all, but the book does not go in that direction.

Characters aside, at over 400 pages, the pace of the book is very very slow. The winding back and forth through two timelines also does not work in this scenario because the "present" is about discovering the lies of the "past" and having that understanding lead to the past making sense for these characters. The confusion of the grand jeu ideas, the unlikability of the characters and the irony of a story about truth being held together with lies extends to both timelines and makes it truly challenging to invest in the story.

To some extent, for me, the book makes an attempt at an intellectual point. Either it does so unsuccessfully, or my intellect does not reach the understanding. At the end of the book, I am left wondering. What did I just read? And why? I walk away, knowing that I was clearly not the right reader for this book.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Tuesday, December 28, 2021

The Secret of Snow

The Secret of Snow
Title:
  The Secret of Snow
Author:  Viola Shipman
Publication Information:  Graydon House. 2021. 320 pages.
ISBN:  1525899813 / 978-1525899812

Book Source:  I received this book through NetGalley and the HTP 2021 Holiday Romance Blog Tour free of cost in exchange for an honest review.

Opening Sentence:  "And look at this!"

Favorite Quote:  "But too many of us ... live as though we're dying. We're trapped in fear. we let that define us. But our lives should be defined by our joy, passion, and happiness."

***** BLOG TOUR *****

Book Review

Can you go home again? Can you go home if home is filled with love but also guilt and sorrow? Can you go home if you essentially ran away from home to get away from the guilt and sorrow? What happens when you are forced to go home? How do you cope?

These are the questions Sonny Dunes faces. She is a meteorologist in beautiful sunny southern California. Home is cold and snowy Traverse City in northern Michigan where Sonny's mother still lives. A sudden shift in her job situation leaves Sonny at loose ends. The job shift may have something to do with her over-fifty age bracket and with the technological takeover of certain professions. This is touched upon but not really explored in the book. It is simply the event that sends Sonny home.

A college acquaintance / friend / frenemy offers Sonny a job at a regional TV station in Michigan. It is definitely a step down for Sonny, but she has no other alternatives. Again, ageism and sexism have to do with the lack of alternatives, but that is not the direction of this book.

Home brings her mother and the memories of the death of her father and her sister. Home brings the guilt and sadness associated with her sister's death. Home also brings old friends, old enemies, and new friends.  This book goes exactly in the direction I expect it to, down to the new budding romance.

One touching aspect of this is the friendship and mentorship Sonny develops with a young man named Ron but nicknamed Icicle. He is shy and unsure of himself. His nickname is a reminder of a childhood trauma. He is also intelligent, curious, and hardworking. This is where Sonny's age comes into play as well. She becomes a mentor to Icicle to help him escape the shadows of his past and find his voice as Ron. This actually ends up my favorite aspect of the book and perhaps the most real.

The most touching aspect of this book, however, comes in the unexpected letter to the readers found at the end of the book. Viola Shipman is the pen name for Wade Rouse; it is his grandmother's name. Although this book is billed as a holiday novel, it really is not that as muchas a very personal statement. The emotion of this book is from Wade Rouses' own experience of  his brother's death. His brother was seventeen; Wade was thirteen. The message of the book comes from his grandmother - the very same Viola Shipman. "The Secret of Snow is a beautiful reminder that, no matter if those we love are no longer with us, family still surrounds us. It is a gentle reminder to reach out to those who need a hug, to let them know you care and that the names of all we’ve lost and still love shimmer as brightly as tinsel, and that their memories will never fade away as long as we refuse to let them."

A sweet story with a lovely message.

About the Book

When Sonny Dunes, a So-Cal meteorologist who knows only sunshine and 72-degree days, has an on-air meltdown after she learns she’s being replaced by an AI meteorologist (which the youthful station manager reasons "will never age, gain weight or renegotiate its contract."), the only station willing to give a 50-year-old another shot is one in a famously non-tropical place--her northern Michigan hometown.

Unearthing her carefully laid California roots, Sonny returns home and reaclimates to the painfully long, dark winters dominated by a Michigan phenomenon known as lake-effect snow. But beyond the complete physical shock to her system, she's also forced to confront her past: her new boss is a former journalism classmate and mortal frenemy and, more keenly, the death of a younger sister who loved the snow, and the mother who caused Sonny to leave.

To distract herself from the unwelcome memories, Sonny decides to throw herself headfirst (and often disastrously) into all things winter to woo viewers and reclaim her success: sledding, ice-fishing, skiing, and winter festivals, culminating with the town’s famed Winter Ice Sculpture Contest, all run by a widowed father and Chamber director whose honesty and genuine love of Michigan, winter and Sonny just might thaw her heart and restart her life in a way she never could have predicted.

About the Author 

Viola Shipman is the pen name for Wade Rouse, a popular, award-winning memoirist. Rouse chose his grandmother's name, Viola Shipman, to honor the woman whose heirlooms and family stories inspire his writing. Rouse is the author of The Summer Cottage, as well as The Charm Bracelet and The Hope Chest which have been translated into more than a dozen languages and become international bestsellers. He lives in Saugatuck, Michigan and Palm Springs, California, and has written for People, Coastal Living, Good Housekeeping, and Taste of Home, along with other publications, and is a contributor to All Things Considered.

Excerpt

Excerpted from The Secret of Snow by Viola Shipman. Copyright © 2021 by Viola Shipman. Published by arrangement with Harlequin Books S.A.

“And look at this! A storm system is making its way across the country, and it will bring heavy snow to the Upper Midwest and Great Lakes before wreaking havoc on the East Coast. This is an especially early and nasty start to winter for much of the country. In fact, early models indicate that parts of western and northern Michigan—the lake effect snowbelts, as we call them—will receive over 150 inches of snow this year. One hundred fifty inches!”

I turn away from the green screen in my red wrap dress and heels.

“But here in the desert...” I wait for the graphic to pop onscreen, which declares, Sonny Says It’s Sonny... Again!

When the camera refocuses on me, I toss an adhesive sunshine with my face on it toward the green screen behind me. It sticks directly on Palm Springs, California.

“...it’s wall-to-wall sunshine!”

I expand my arms like a raven in the mountains taking flight. The weekly forecast pops up. Every day features a smiling sunshine that resembles yours truly: golden, shining, beaming.

“And it will stay that way all week long, with temperatures in the midseventies and lows in the midfifties. Not bad for this time of year, huh? It’s chamber of commerce weather here in the desert, perfect for all those design lovers in town for Mid-Century Modernism Week.” I walk over to the news desk. The camera follows. I lean against the desk and turn to the news anchors, Eva Fernandez and Cliff Moore. “Or for someone who loves to play golf, right, Cliff?”

He laughs his faux laugh, the one that makes his mouth resemble those old windup chattering teeth from when I was a girl.

“You betcha, Sonny!”

“That’s why we live here, isn’t it?” I ask.

“I sure feel sorry for the rest of the country,” says Eva, her blinding white smile as bright as the camera lights. I’m convinced every one of Eva’s caps has a cap.

“Those poor Michigan folk won’t be golfing in shorts like I will be tomorrow, will they?” Cliff says with a laugh and his pantomime golf swing. He twitches his bushy brows and gives me a giant wink. “Thank you, Sonny Dunes.”

I nod, my hands on my hips as if I’m a Price Is Right model and not a meteorologist.

“Martinis on the mountain? Yes, please,” Eva says with her signature head tilt. “Next on the news: a look at some of the big events at this year’s Mid-Century Modernism Week. Back in a moment.”

I end the newscast with the same forecast—a row of smiling sunshine emojis that look just like my face—and then banter with the anchors about the perfect pool temperature before another graphic—THE DESERT’S #1 NIGHTLY NEWS TEAM!—pops onto the screen, and we fade to commercial.

“Anyone want to go get a drink?” Cliff asks within seconds of the end of the newscast. “It’s Friday night.”

“It’s always Friday night to you, Cliff,” Eva says.

She stands and pulls off her mic. The top half of Eva Fernandez is J.Lo perfection: luminescent locks, long lashes, glam gloss, a skintight top in emerald that matches her eyes, gold jewelry that sets off her glowing skin. But Eva’s bottom half is draped in sweats, her feet in house slippers. It’s the secret viewers never see.

“I’m half dressed for bed already anyway,” she says with a dramatic sigh. Eva is very dramatic. “And I’m hosting the Girls Clubs Christmas breakfast tomorrow and then Eisenhower Hospital’s Hope for the Holidays fundraiser tomorrow night. And Sonny and I are doing every local Christmas parade the next few weekends. You should think about giving back to the community, Cliff.”

“Oh, I do,” he says. “I keep small business alive in Palm Springs. Wouldn’t be a bar afloat without my support.”

Cliff roars, setting off his chattering teeth.

I call Cliff “The Unicorn” because he was actually born and raised in Palm Springs. He didn’t migrate here like the older snowbirds to escape the cold, he didn’t snap up midcentury houses with cash like the Silicon Valley techies who realized this was a real estate gold mine, and he didn’t suddenly “discover” how hip Palm Springs was like the millennials who flocked here for the Coachella Music Festival and to catch a glimpse of Drake, Beyoncé or the Kardashians.

No, Cliff is old school. He was Palm Springs when tumbleweed still blew right through downtown, when Bob Hope pumped gas next to you and when Frank Sinatra might take a seat beside you at the bar, order a martini and nobody acted like it was a big deal.

I admire Cliff because—

The set suddenly spins, and I have to grab the arm of a passing sound guy to steady myself. He looks at me, and I let go.

—he didn’t run away from where he grew up.

“How about you, sunshine?” Cliff asks me. “Wanna grab a drink?”

“I’m gonna pass tonight, Cliff. I’m wiped from this week. Rain check?”

“Never rains in the desert, sunshine,” Cliff jokes. “You oughta know that.”

He stops and looks at me. “What would Frank Sinatra do?”

I laugh. I adore Cliff’s corniness.

“You’re not Frank Sinatra,” Eva calls.

“My martini awaits with or without you.” Cliff salutes, as if he’s Bob Hope on a USO tour, and begins to walk out of the studio.

“Ratings come in this weekend!” a voice yells. “That’s when we party.”

We all turn. Our producer, Ronan, is standing in the middle of the studio. Ronan is all of thirty. He’s dressed in flip-flops, board shorts and a T-shirt that says, SUNS OUT, GUNS OUT! like he just returned from Coachella. Oh, and he’s wearing sunglasses. At night. In a studio that’s gone dim. Ronan is the grandson of the man who owns our network, DSRT. Jack Clark of ClarkStar pretty much owns every network across the US these days. He put his grandson in charge because Ro-Ro’s father bought an NFL franchise, and he’s too obsessed with his new fancy toy to pay attention to his old fancy toy. Before DSRT, Ronan was a surfer living in Hawaii who found it hard to believe there wasn’t an ocean in the middle of the California desert.

He showed up to our very first official news meeting wearing a tank top with an arrow pointing straight up that read, This Dude’s the CEO!

“You can call me Ro-Ro,” he’d announced upon introduction.

“No,” Cliff said. “I can’t.”

Ronan had turned his bleary gaze upon me and said, “Yo. Weather’s, like, not really my thing. You can just, like, look outside and see what’s going on. And it’s, like, on my phone. Just so we’re clear...get it? Like the weather.”

My heart nearly stopped. “People need to know how to plan their days, sir,” I protested. “Weather is a vital part of all our lives. It’s daily news. And, what I study and disseminate can save lives.”

“Ratings party if we’re still number one!” Ronan yells, knocking me from my thoughts.

I look at Eva, and she rolls her eyes. She sidles up next to me and whispers, “You know all the jokes about millennials? He’s the punchline for all of them.”

I stifle a laugh.

We walk each other to the parking lot.

“See you Monday,” I say.

“Are we still wearing our matching Santa hats for the parade next Saturday?”

I laugh and nod. “We’re his best elves,” I say.

“You mean his sexiest news elves,” she says. She winks and waves, and I watch her shiny SUV pull away. I look at my car and get inside with a smile. Palm Springs locals are fixated on their cars. Not the make or the color, but the cleanliness. Since there is so little rain in Palm Springs, locals keep their cars washed and polished constantly. It’s like a competition.

I pull onto Dinah Shore Drive and head toward home.

Palm Springs is dark. There is a light ordinance in the city that limits the number of streetlights. In a city this beautiful, it would be a crime to have tall posts obstructing the view of the mountains or bright light overpowering the brightness of the stars.

I decide to cut through downtown Palm Springs to check out the Friday night action. I drive along Palm Canyon Drive, the main strip in town. The restaurants are packed. People sit outside in shorts—in December!—enjoying a glass of wine. Music blasts from bars. Palm Springs is alive, the town teeming with life even near midnight.

I stop at a red light, and a bachelorette party in sashes and tiaras pulls up next to me peddling a party bike. It’s like a self-propelled trolley with seats and pedals, but you can drink—a lot—on it. I call these party trolleys “Woo-Hoo Bikes” because...

I honk and wave.

The bachelorette party shrieks, holds up their glasses and yells, “WOO-HOO!”

The light changes, and I take off, knowing these ladies will likely find themselves in a load of trouble in about an hour, probably at a tiki bar where the drinks are as deadly as the skulls on the glasses.

I continue north on Palm Canyon—heading past Copley’s Restaurant, which once was Cary Grant’s guesthouse in the 1940s, and a plethora of design and vintage home furnishings stores. I stop at another light and glance over as an absolutely filthy SUV, which looks like it just ended a mud run, pulls up next to me. The front window is caked in gray-white sludge and the doors are encrusted in crud. An older man is hunched over the steering wheel, wearing a winter coat, and I can see the woman seated next to him pointing at the navigation on the dashboard. I know immediately they are not only trying to find their Airbnb on one of the impossible-to-locate side streets in Palm Springs, but also that they are from somewhere wintry, somewhere cold, somewhere the sun doesn’t shine again until May.

Which state? I wonder, as the light changes, and the car pulls ahead of me.

“Bingo!” I yell in my car. “Michigan license plates!”

We all run from Michigan in the winter.

I look back at the road in front of me, and it’s suddenly blurry. A car honks, scaring the wits out of me, and I shake my head clear, wave an apology and head home.

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Monday, December 27, 2021

Sunflower Sisters

Title:
  Sunflower Sisters
Publication Information:  Ballantine Books. 2021. 528 pages.
ISBN:  978-1524796402

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "No one suspected the blond boy's cargo as he drove his crude pony cart through the streets of Charleston."

Favorite Quote:  "Don't listen to naysayers ... You're head and shoulders above them, and those who discourage you do so to justify their own lack of imagination and will never accomplish anything extraordinary."

Lilac Girls by Martha Hall Kelly brings the reader to Poland during World War II. Sunflower Sisters, for it cheery title, brings me to the United States during the Civil War. The historical basis for this story is that of Georgeanna Woolsey and her family. "Georgey" is born and raised in a New York family, taught the value of education and independence for a woman, and given strong abolitionist values. At the outbreak of the Civil War, Georgey volunteers as a nurse. She works in New York, Washington DC, and on hospital ships that bring her and her sister to the south.

The story builds on this history of the Woolsey sisters and adds the story of Jemma, a girl born in slavery in the south and Anna-May, Jemma's owner. From these three perspectives, the book studies the history and atrocities of slavery, those who supported it, and those who fought against it. Through these three women, the book also explores the way in which the Civil War divided families, with family members falling on opposite sides of the battle depending on their allegiances. The book travels from the drawing room of the New York to hospitals to battlefields to plantations in St. Mary's County in Maryland and back again. It describes the toll war takes on all ends of the battle.

It depicts the individual personal stories of these women, and through them, brings to life a tine and place in history. The book is billed as the third in the Lilac Girls series because each book in the series picks on a history of a woman (or women) in the family of Caroline Ferriday introduced in Lilac Girls. However, the book deals with a different time period and a different history. The "series" is really only technically a series. Each book stands alone.

Although Georgey Woolsey is the feature character in the book, I actually find the stories of Jemma and Anna May the more compelling ones. Georgey's story is also one of her family, their comfortable life in the north, the philanthropic efforts, and even a love story. Jemma's story is that of the graphic atrocities of slavery; it is of the courage to stand against that world and fight. Anna May's story is that of losing a world and taking whatever steps - right, wrong, or otherwise - to maintain a way of life. The juxtaposition of Jemma as the heroine and Anna May as the villain draw their stories even closer together, making Georgy's story stand further apart. Georgy's view becomes that of someone looking in on the story, while Jemma and Anna May are the story.

I would definitely recommend reading the author's note at the end. It describes the research, the actual history of the book, and the boundary between the history and the fiction. It adds a lot to the depth and understanding of the fictional story.

The book includes a caution or challenge as Jemma learns to read. "Careful though. You change once you read some books. Get more thoughts about things." What a delightful thing that books exist such that we can "get more thoughts" and understand our history so as to learn from it.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Sunday, December 26, 2021

The Dictionary of Lost Words

The Dictionary of Lost Words
Title:
  The Dictionary of Lost Words
Author:  Pip Williams
Publication Information:  Ballantine Books. 2021. 400 pages.
ISBN:  0593160193 / 978-0593160190

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "before the lost word, there was another."

Favorite Quote:  "Women don't have to live lives determined by others. They have choices, and I choose not to live the rest of my days doing as I'm told and worrying about what people will think. That's no life at all."

This book is completely not what I expected. I choose to read it because - well, dictionary and words, lost ones at that! The title itself draws me in. The description then references the creation of the Oxford English Dictionary. The dictionary is an integral part of life and education. It has always existed in my life. I have never really given much thought to the fact that at one time, there was no dictionary. I have never really look at the history of how a dictionary might be created. Who creates it? Who defines each word? How? Who chooses what word to include and which word not to? "All words are not equal (and as I write this, I think I see your concern more clearly: if the word of one group are considered worthier of preservation than those of another...well, you have given me pause for thought.)"

I am a firm believer in that words have power. However, what gives a word its power? "I prefer to say that I give them substance - a real word is one that is said out loud and means something to someone."

All that draws me into the book.

At the beginning, I am taken aback. The main character is a child at the feet of her father, who is involved in the creation of the dictionary. More than that, the child is a girl. This is significant. In the author's own words:
  • "This book began as two simple questions: Do words mean different things to men and women? And if they do, is it possible that we have lost something in the process of defining them?"
  • "This novel is my attempt to  understand how the way we define language may define us. Throughout, I have tried to conjure images and express emotions that bring our understanding of words into question. By putting Esme among the words, I was able to imagine the effect they might have had on her, and the effect she might have had on them."
  • "From the beginning, it was important that I weave Esme's fictional story through the history of the Oxford English Dictionary as we know it. I soon realised that this history also included the women's suffrage movement in England as well as World War I. In all three cases the timelines of events and the broad details have been preserved. Any errors are unintentional."
The combination of the history of words themselves and the history of women makes for a powerful story. "It came back to me then, and I realized that the words most often used to define us were words that described our function in relation to others."

I find myself not only following Esme's story but also looking up and reading the history of the dictionary, the women's suffrage movement, and the timing of that history. The stories of the other women that surround Esme herself are equally powerful. That power is depicted as Esme herself realizes the significance of the experiences of these woman and how they parallel and differ from hers.

This book does what I absolutely love about historical fiction. It introduces me to a history I might otherwise never have read. In this case, it allows a glimpse not into history I might never have read but also history I have never really considered.

"Words are like stories ... They change as they are passed from mouth to mouth; their meanings stretch or truncate to fit what needs to be said." This story has made me stop and think about the words we use. For that lesson, it will stay with me for a long while.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Saturday, December 25, 2021

The Bounty

The Bounty
Title:
  The Bounty
Author:  Janet Evanovich and Steve Hamilton
Publication Information:  Atria Books. 2021. 320 pages.
ISBN:  1982157135 / 978-1982157135

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "The target is approaching the Vatican."

Favorite Quote:  "The victor will always be the judge, and the vanquished the accused."

The Bounty is book seven in the Fox and O'Hare series. Nick Fox is an ex-con who is caught and given the option to shift to helping the FBI. Kate O'Hare is the FBI agent tasked with managing Fox. A friendship and relationship, of course, develops. Each book is a new adventure involving these two. The first five are co-authored by Janet Evanovich and Lee Goldberg. The sixth is co-authored by Janet Evanovich and Peter Evanovich. This one is co-authored by Janet Evanovich and Steve Hamilton. Steven Hamilton has authored another series on his own.

Clearly, the Fox and O'Hare series is in transition. As such, I imagine the tone and style of the books have shifted as the authors shifted.  However, this is the first I have read in the series. I have no preconceptions of tone, structure, character, plot. In this case, with the shifting authors, that may actually be an advantage as I am comparing this book to another or several others. 

Clearly, there is a back story and a history. However, this book also stands alone. Enough of the history and the relationships is explained for it to not stand in the way of enjoying this book.

The adventure of this book involves the back story in a way. The initial villain they chase is none other than Nick's father. However, is he actually the villain, or are there bigger forces at play? Clearly, there is only one right answer to that question for how else would the book move forward. In fact, the resolution to this question comes relatively early in the book.

In some ways, the book reminds me of The DaVinci Code and National Treasure. There is symbolism and history involved in the untangling of this mystery. There is supposedly an actual treasure. The links here lead to Nazi Germany, the appropriation of treasures by that regime, and an organization called the Brotherhood. There may be a literal pot of gold at the end of this chase.

Once it begins, the book is nonstop action, going from place to place. Many locations involve a tourist landmark. The good guys find a clue. They chase it down, which usually involves some jaw-dropping feat. The bad guys catch up. The good guys escape with their lives and jump ahead. The cast of good guys and bad guys expands and contracts according to the situation. For some characters, the question as to whether they are part of the good guys or the bad guys needs to be determined. So, it continues beginning to end.

The "action" somewhat repeats location to location, but the pace makes for a fun read. The relationships seem to take a back seat to the action in this book. Nick and Kate. Nick and his father. Kate and her father. Kate and her boss. Yet, the relationships are all there, and I see glimmers of the depth they could achieve. Will they? Who knows? I suppose it depends on whether or not there are more books coming, and it depends on who writes them. Whether or not more is to come, this iteration was an entertaining read.


Please share your thoughts and leave a comment. I would love to "talk" to you.