Friday, November 16, 2018


Title:  Horse by Talley English
Author:  Talley English
Publication Information:  Knopf. 2018. 336 pages.
ISBN:  1101874333 / 978-1101874332

Book Source:  I received this book through the Penguin First to Read program free of cost in exchange for an honest review.

Opening Sentence:  "Ian was broken English."

Favorite Quote:  "Grief is a dead horse. The body must be buried where it lies. Who can move the weight?"

Many stories have been written about grief, the impact of divorce/loss on children, the bond between a child and an animal, and the healing power of animals. This book brings all these elements together. However, for me, the emotional impact of the story does not come. I think that is primarily for two reasons - one about the plot and the other about the structure and language.

The plot is about an abandoned family. The father Robert French walks out one day. Shortly thereafter, he begins a new relationship. The mother Susanna and the two children are left to pick up the pieces. There is anger, recriminations, loss, and grief. The book is about teenager Teagen. It is her coming of age story in the midst of this loss, and it is about the power of an animal to ease that grief. It sounds like a powerful, emotional story.

Unfortunately, the lingering effect of the story is that Teagen's grief manifests itself in what I might term first world problems. Following her parent's separation, Teagan goes away to boarding school which allows her to bring her horse and train in riding. The horse she takes is her father's prize horse. Ian (the horse's) intensity seems to match Teagan's. Both parents individually remain in Teagan's life. She leaves friends at home and finds friends at school at least at the beginning. When needed, Susannah is able to get professional help to deal with Teagan's emotional well being.

All these signs of the things that are possible in Teagan's life do not undermine the grief or anxiety that a young woman may feel at the dismantling of her family. However, the story becomes more about these elements of her life rather than an expression of that grief. As such, they become harder to get past to get to the emotion of the book.

The other thing that, for me, mitigates the emotional impact of the story is the structure of the story telling. The book is written in very short chapters; the writing clearly reflects the author's background as a poet. The very short chapters change abruptly between different parts of Teagan's life - family life before her parents' separation, the time Teagan spends at the boarding school, and a time when Teagan returns to her childhood home as an adult. The timeline jumps, and the narrative voice changes. At times, I find myself rereading to determine where the story is. The emotional jump from a teenager facing her parent's divorce to an adult reflecting on that experience is also a difficult one. It all gets a bit confused, which creates a distance between reader and story.

Finally, the ending is not one I see coming and not a turn that I truly understand. It seems an abrupt decision of a teenager. Teagan does follow through on it. It is perhaps the emotional distance of the book that prevents me from understanding the bond between Ian and Teagan and Teagan's decision in light of that bond. The overall impact is unfortunately of a melancholy but vague story.

Please share your thoughts and leave a comment. I would love to "talk" to you.

Monday, November 12, 2018

So Much Life Left Over

Title:  So Much Life Left Over
Author:  Louis de Bernieres
Publication Information:  Pantheon. 2018. 288 pages.
ISBN:  1524747882 / 978-1524747886

Book Source:  I received this book through the Penguin First to Read program free of cost in exchange for an honest review.

Opening Sentence:  "The crackle of gunshots bounced between the mountainsides, the percussion fading with each return of echo."

Favorite Quote:  "No one is every only one thing. Inside one person there are so many different people, and quite often they're at war with each other, and sometimes one of them is winning, and sometimes another. We're all so hard to understand, aren't we? I don't even understand myself."

It takes a while to settle into this story because it takes a while for me to figure out what the story is actually about and what it is not.

The book description speaks about lives upended by World War I. The book is set in the 1920s and comes forward to World War II. "If you have been embroiled in a war in which you confidently expected to die, what were you supposed to do with so much life unexpectedly left over? There were so many ways of passing the peace, and you would never know what they would have been like, those roads not taken." Yet, the war is not really present in the book. Yes, there are deaths and impacts. However, that does not seem to be the heart of this story. I expected reflections on the trauma of war. The undercurrent of that trauma is there, but this book is more about relationships than the war.

The cover image and the description talk about Ceylon and India. The book opens in Ceylon. It delves into a little bit of the culture and the role of the settlers in the regions. I expect that cultural interchange to be a big part of the book. Again, I am disappointed because that portion of the book ends fairly early on as the story reverts back to Britain never to really return to other parts of the world.

Finally, the book description references this group of childhood friends. That is really what this book is about. It is about the ebbs and flows of the relationships in this group. In particular, it centers around Daniel, whose live seems directed by his interactions with members of this group. Friendship, marriage, moves, fatherhood, love, and despair all come to him through this group.

Once I realize that, I settle into Daniel's story. Daniel is a sad character. So much of his life and actions seem in reaction to others. "He had grown tired of being virtuous when there was not reward for it, and tired of having virtue thrust upon him by force of circumstance. He had, in a fit of pique coloured by a kind of loneliness, finally dropped his principles, and understood that sometimes a married person needs to take a lover if they are going to have any kind of romance or intimacy." I both feel sorry for him and want to shake him into action. I want to tell him that he can decide and make a different choice.

For all that or maybe because of all that, I keep reading and want to know where his story goes. It does not go where I expect it to. All kinds of philosophical and ethical conversations can be had based on his actions. I could see that being a great book club discussion. The ending, however, does not bring a conclusion to his story. It brings a defining moment, but not a conclusion. In fact, the book ends, poised to ask again the question that the story initially poses. It doesn't feel like a prediction of a sequel but rather an indication that the search for an answer is an individual one.

Please share your thoughts and leave a comment. I would love to "talk" to you.

Saturday, November 10, 2018

Becoming Belle

Title:  Becoming Belle
Author:  Nuala O'Connor
Publication Information:  G. P. Putnam's Sons. 2018. 384 pages.
ISBN:  0735214409 / 978-0735214408

Book Source:  I received this book through the Penguin First to Read program free of cost in exchange for an honest review.

Opening Sentence:  "Isabel Maude Pernice Bilton. Isabel Bilton. Issy Bilton. Belle Bilton. All she could think to write was her name."

Favorite Quote:  "A home ought to be a shrine, a solid place for all life to happen in, the joys and the sorrows. It should be a shared place for a family, not some temporary stop-off in which to lay her head..."

Isabel Maude Pernice Bilton (1867-1906) was born into a military household. Her mother had a flair for the dramatic in her theatrical pursuits and in her life. "Mothers are queer creatures, are they not? They love us madly until we display the signs of our true selves, until we're no longer malleable. Then they choose whether to love us anymore. Or not." Her father was the grounded one; he loved and supported Isabel. Her dream was to escape the expectations life set for her. She wanted a life in the theater in London. When an opportunity presented itself, her father supported her dream.

So begins the story of Isabel Bilton, who I discovered was an actual historical figure. The trajectory of her life led from her home to a life in the London music halls and to eventually the title of Countess. It went in cycles from poverty to financial comfort and back again. It led from being Isabel to becoming Belle. Along the way came successes and setbacks, friends and detractors. This book tells a fictional account of her story.

This is to a great extent a story of reinvention. With every success and with every setback, Belle reinvents herself to move forward. Sometimes, it means leaving entire parts of her life behind. "You astonish me the way you invent yourself anew for every situation. As if each time something happens, the life your were made for is about to begin." Some of these beginnings are quite astonishing because of the people Belle leaves behind. The book does not explore the emotional ramifications of those life altering decisions. It is startling in that it almost seems as if she moves on and doesn't look back. It makes her a less sympathetic character, but perhaps that is portrayed as the price of ambition or the way to survival.

Based on the setup and description, I expected this book to be about a strong woman, her independence, her career, and her ambition. It is about an independent woman who owns her bohemian lifestyle. However, much of the books becomes about the men in her life and the repercussions of her relationships. That makes senses given the time and place; it was just not what I expected.

Much of the book is about her relationship with Viscount Dunlo, heir to the Earl of Clancarty. This section of the book is fascinating because in telling Belle and William's story, this book relates a look on the social setup of England at the time. It particularly shines a light on the edicts and laws governing marriage. Let's just say that Belle Bilton was clearly not the type of woman that William's family - wealthy and members of the peerage - felt was acceptable in their family.

In this way, the book accomplishes what I love about historical fiction. It introduces me to a historical character, and it set me on a path to read more about her actual marriage and the laws that applied to it.

Please share your thoughts and leave a comment. I would love to "talk" to you.

Wednesday, November 7, 2018

Auschwitz Lullaby

Title:  Auschwitz Lullaby
Author:  Mario Escobar
Publication Information:  Thomas Nelson. 2018. 304 pages.
ISBN:  0785219951 / 978-0785219958

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "I held my breath during the airplane's steep ascent."

Favorite Quote:  "All human beings are irreplaceable, of infinite value, and nothing can substitute the life that is taken."

A story of love: Helene and Johann meet and fall he in love. She is a nurse; he is a violinist. She is of Aryan descent; he is of Romani Gypsy descent. Society and their families do not approve of their love. Nevertheless, they marry, have five children, and are happy in their lives.

A story of hate and evil:  It is 1943 in Berlin, Germany. The SS arrive at the doorstep of the Hannemann's. All Gypsies are to be sent to camps. History tells us that over 20,000 ethnic gypsies perished at Auschwitz. "I had always wanted to believe that people would wake up and see what Hitler and his followers represented, but no one did. Everyone went right along with his fanatical insanity and turned the world into a starving warring hell."

An impossible choice:  As an Aryan, Helene is exempt from the order. As Gypsy, her husband and children are not. As a wife and even more as a mother, Helene stays with her family. She is arrested and transported along with the children. "I'm a mother ... You all wage your wars for grand ideals, you defend your fanatical beliefs about liberty, country, and race, but mothers have only one homeland, one ideal, one race:  our family."

A story of courage: The family is sent to Auschwitz along with thousands of other Gypsies. History tells us how that ends. This book tells the story of Helene Hannemann. It is the story of a school that was started as a propaganda exercise by the Nazis but that also, through Helene's courage, brought a moment of hope to the children of Auschwitz.

Helene Hannemann is a historical figure. Her story is real and another horrific vision of World War II history. Her courage is inspiring. That is the story the world needs to tell and remember.

Now on to this telling of the story. Some things that leave me thinking...

The lullaby of the title is referenced only twice in the book, and the violin on the cover is not central to the story at all. This does not impact the story, but I expected more given the prominence it's given.

The book begins and ends with a short first person narrative section from an unexpected character; it is also a retrospective on Helene and her impact. History or a literary technique? It is unclear. Either way, to me, it is unnecessary and not needed.

The narrative, with a mother at the heart of such horror, has an emotional distance. The narration tells the story but does not seem to bring it to life. I weep at the idea that the world allowed such atrocities to exist and occur. Yet, it is the history not the narrative that evokes the emotions.

The ending of this book is not entirely true to the history. The author specifies that as a deliberate choice. I think by diluting what actually happened, it does a disservice to this family's history and the history of all those who perished. This history needs to be remembered as it occurred.

Please share your thoughts and leave a comment. I would love to "talk" to you.

Monday, November 5, 2018

The Late Bloomers' Club

Title:  The Late Bloomers' Club
Author:  Louise Miller
Publication Information:  Pamela Dorman Books. 2018. 336 pages.
ISBN:  1101981237 / 978-1101981238

Book Source:  I received this book through the Penguin First to Read program free of cost in exchange for an honest review.

Opening Sentence:  "Freckles would have smelled the change in Peggy Johnson, but the window on his side had been rolled all the way down and the air out on Pudding Hill Road was thick with the scent of the fresh cow manure the farmer had spread over his kale field just that morning."

Favorite Quote:  "I'm more interested in what a person thinks and feels anyways, but if we have to look like something, which we do, I'd rather look at someone whose face shows they've lived a little. That they've struggled a little."

This book in its setup reminds me of the movie It's a Wonderful Life. There is a small town and a close-knit community. There is a big business looking to take over and change. There are two siblings, one who flies and seeks the world and one who stays and keeps alive the parents' vision. Both siblings feels like the other is the strong one. A crisis precipitates a reckoning. The love and bond of this small community comes together. Admittedly, this book has no angel showing what life would have been like if... However, other things manage to convey the community impact of one person.

At the heart of this story is Nora, the owner and operator of Miss Guthrie's Diner in the small town of Guthrie, Vermont. She and her sister Kit grew up in Guthrie and the diner. Nora kept it going after the death of her mother and her father's decline. Kit left to pursue other dreams. Part of a close-knit community, Nora nevertheless feels alone, particularly after her divorce.

The plot of the book is simple. A town resident passes away, and for reasons unknown leaves her rather large property to Nora and Kit. So, there is the question of why would a relative stranger leave the sisters this legacy? A big business wants to purchase the property to build a large store. A handsome, eligible, and sympathetic representative from this business arrives to survey the potential of the store. The town is divided between the jobs the store may bring to the local economy and the way it will forever alter the small town. Sisters Nora and Kit are divided between the windfall the sale of the property will bring them and the desire to protect this special property and the town. Added in for good measure is the story of a lost dog that brings an entire community together.

Nora, in this case, is the late bloomer. In that respect, many readers may find her a relatable character. Her story of putting, what she feels may have been, her goals on hold for family obligations is a story that frequently occurs in real life. It is the longing for the path not taken even if you eventually discover is that the path you are on is the one you wanted all along. Sometimes, it takes a crisis to remind us of that.

One of the best parts of this book is the relationship between the two sisters. It feels real. There is sibling rivalry, disagreements, at times distance, but ultimately a basis of strong love and respect. This and the lovely small town feel of Guthrie gives this book a nostalgic feel.

Louise Miller's The City Baker's Guide to Country Living is also set in the town of Guthrie. Both books are simple, sweet stories. No shocking twists, no unpredictable turns. Just feel good books perfect for a cozy afternoon. This book, like the first one, also contains a few recipes for cakes which sound delicious. Do not read when hungry.

Please share your thoughts and leave a comment. I would love to "talk" to you.

Sunday, November 4, 2018

Clock Dance

Title:  Clock Dance
Author:  Anne Tyler
Publication Information:  Knopf. 2018. 304 pages.
ISBN:  0525521224 / 978-0525521228

Book Source:  I received this book through Penguin First to Read free of cost in exchange for an honest review.

Opening Sentence:  "Willa Drake and Sonya Bailey were selling candy bars door-to-door."

Favorite Quote:  "Sometimes Willa felt she'd spent half her life apologizing for some man's behavior. More than half her life, actually. First Derek and the Peter, forever charging ahead while Willa trailed behind picking up the pieces and excusing and explaining."

I don't really understand the cover or the title of the book. Is the clock dance the fact that the book synopsis talks about the defining moments of Willa's life? Is the clock dance that Willa finally reaches an age where she decides that she needs to determine her own direction rather than to let it be determined for her? Is the clock dance simply that Willa is older and in the later years of her life?

The cactus and the blue sky on the cover seem to refer to Willa's home place at the beginning of the book. However, that setting has little relevance to the story itself. Most of the story is set in Baltimore, Maryland which has its share of blue skies but is certainly not known for its cacti. It's a good thing that I relied more on the description for the content of the book.

The description sets up a character and a plot that has appeared in many books. A man or a woman reaches - shall we say - a certain mature age. A lot of life has passed. A moment, a family member, an encounter, or some other trigger precipitates a reaction. The reaction leads to a reflection on past decisions and choices. Reflection leads to the possibility of change. The rest of the book becomes about that transition and if and how it occurs. Most of the books rely on creating characters that are sympathetic if not endearing. If we as readers fall in love with the character, then we invest in the story. If we don't, then we read it and move on.

This book is no different. The synopsis presents the defining moments of Willa Drake's life. A phone call leads her to a her son's ex-girlfriend and her daughter. They are complete strangers, but yet were almost family. Complications ensue, yet they fulfill a need in Willa's life, a need perhaps that she did not even acknowledge existed. The story winds to an expected conclusion.

The first part of the book presents, in short glimpses, the points in Willa's life that define her path. These bring her all the way to the age of sixty. The major theme here is the fact that Willa has chosen the path of least resistance and allowed her direction to be determined mostly by the actions and suggestions of others. Then, it seems all of a sudden she finds gumption and is stirred to make different choices - more importantly, to make her own choices.

What makes this book an interesting one, however, is not the main character Willa Drake. The book is her story, but I don't feel like I get to know Willa. As such, I don't feel like I vest in Willa's story. The eccentric cast of characters and relationships she finds in Baltimore don't call for a reader to become involved but rather just provide entertainment value through their daily lives. A precocious child. An independent woman in need of help. An eclectic collection of neighbors. However, then the story seems to come to a rather abrupt end rather than a rounded out conclusion. I am entertained and amused by the characters but find myself somewhat unmoved by Willa's story.

Please share your thoughts and leave a comment. I would love to "talk" to you.

Saturday, November 3, 2018

Scandal Above Stairs

Title:  Scandal Above Stairs
Author:  Jennifer Ashley
Publication Information:  Berkley. 2018. 320 pages.
ISBN:  0399585532 / 978-0399585531

Book Source:  I received this book through Penguin First to Read free of cost in exchange for an honest review.

Opening Sentence:  "The clatter of crockery on the flagstone floor broke my heart."

Favorite Quote:  "We must help one another in this world, because it is a difficult place. Too difficult for us all to be selfish. It is also fine to ask for help - we should not be too proud to admit when we need it."

Scandal Above Stairs is the second book in the series started in Death Below Stairs. The charm of the characters continues into this book. While it is not absolutely necessary to have read the first book, it is beneficial in this case. Many of the characters from the first book feature in this book. Although the mystery is new, most of the secondary plot lines continue from the first book.

Kat Holloway is still the cook in the same household. This book is once again a little bit of an upstairs downstairs story. The mystery of this book begins with thefts and disappearances of artwork that lead to murder. It is such fun to watch Kat Holloway navigate and solve the mystery while maintaining the upstairs downstairs decorum so central to Victorian English society. Those who know her and appreciate her abilities do not stand on ceremony; to the rest of the world, she is only the cook of the household and hence to be kept in her place.

Besides the mystery itself, what makes this book a charming read is the continuing stories of the characters.

Lady Cynthia is still a woman ahead of her times, living on her own terms rather than conforming to societal expectations. Her family is still trying to marry her off, but she has other plans. A friendship and a romance is perhaps budding.

Tess is a new addition in this book. She comes as a cook's assistant, referred by someone Kat trusts absolutely. Tess is rough around the edges and with a chip on her shoulder. Kat is both manager and mother to this young woman, who has a story of her own. Some of that is revealed through the book; some may emerge.

Daniel McAdam's continues to be the debonair mystery man. He seems to know everyone. He seems able to do anything. A little more of his back story is explored beyond what was in the first book.

Kat herself continues unafraid to speak her mind and takes no nonsense from anyone. Her relationship with her daughter reveals her more vulnerable side. This book takes Daniel and Kat's relationship further as well.

Both books in the series prove to be quick reads with characters about whom I want to learn more. According to the author's website, the third book is titled Death in Kew Gardens and is "coming soon." I can't wait.

If you are interested in the author's other work, note that she writes under three names. As Jennifer Ashley, she writes historical, paranormal, and contemporary romance. As Ashley Gardner, she authors mysteries. Allyson James is the name for the paranormal romance and urban fantasy books. Worth exploring!

I am interested in the fact that Kat Holloway is a cook and apparently a fine one at that. Both books so far have descriptions of ingredients and dishes and the creation of menus that sound tempting. As someone who enjoys cooking, I wonder if a Kat Holloway cookbook will be coming at some point.

Please share your thoughts and leave a comment. I would love to "talk" to you.