Sunday, July 21, 2024

The London Seance Society

The London Seance Society
Title:
  The London Seance Society
Author:  Sarah Penner
Publication Information:  Park Row. 2023. 352 pages.
ISBN:  0778387119 / 978-0778387114

Rating:   ★★

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "At an abandoned chateau on the wooded outskirts of Paris, a dark séance was about to take place."

Favorite Quote:  "If only I could run myself through a sieve, Lenna thought, and separate the feelings in side of me so to better deal with them one by one."

The Lost Apothecary was Sarah Penner's debut novel. I loved the three characters and the challenges they face as so many other women in this world have. What also really made this book stand out was the fact that the stories in both time periods went in a direction I completely did not expect. The parallels between the two time periods drew closer than I expect between historian and history. One ending also was not definitive as to the exact conclusion, making me wonder if a sequel might be planned to this wonderful debut novel.

This book is sadly not a sequel to the first. Nor does it live up to the promise of the first unfortunately. This is a story of two women in the 1800s and the intrigue of secret societies, mystery, murder, and, of course, séances. A séance is an at which people try to contact the dead, usually with the help of a medium. Vaudeline D’Allaire is the medium. Lenna Wickes is her apprentice. She has own reasons for wanting to engage Vaudeline. Although she is not a believer in the paranormal, she wished to identify her sister's killer and perhaps seek vengeance. Will she become a believer? Does she carry the energy to be a medium herself despite her lack of belief.

Tied into this is the London Séance Society, a club for gentleman with interests in the paranormal and spiritual realm. Is the interest real? Is it a cover for something else? Murder and intrigue bring Vaudeline and Lenna to London and the society. Rather it brings them back to the society as both have a connection to it already. Mr. Morley is a society executive, seeking their assistance in solving a murder.

The basic questions of this book are ... Is anyone who they say they are? Is anyone's motives what they say they are? Everyone has a secret, some more deadly than others.

The book also introduces a romance which, to me, is incidental and not really relevant to the story. It seems included for the sake of adding a romance. The fact that the book even adds some graphic scenes - including of mastrubation - makes that aspect of the story even less for me. I do not care for graphic descriptions in my reads.

The mystery of this book does not truly remain a mystery for very long for there are not too many characters. The villain is easily identified unless an ending was to come completely out of left field. Nevertheless, the mystery is entertaining. The view into the world of séances and the paranormal has some very human objectives of greed!

The mystery is entertaining, but the romance is less so. Sadly, after The Lost Apothecary, this book leaves me wanting a different story.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Monday, July 8, 2024

River Sing Me Home

River Sing Me Home
Title:
  River Sing Me Home
Author:  Eleanor Shearer
Publication Information:  Berkley. 2023. 336 pages.
ISBN:  0593548043 / 978-0593548042

Rating:   ★★★★

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "The soil on the island was fertile, but everything laid down shallow roots."

Favorite Quote:  "Mary Grace lifted her eyes to the sky, perhaps to where she felt her God would be. Rachel did the same, even though she did not believe in a sky-god. She felt that if any god or gods existed, they would be diffused throughout everything and everyone on earth, neither benevolent nor malign, but simply existing, drawing everything together, living and dead."

The Emancipation Act of 1834 has come into being in Barbados. On that day, the master of the plantation announces that though, they may no longer be slaves, all the former slaves are now apprentices. They must must work for him for another six years to pay for their freedom before they can leave. "Freedom is just another name for the life they have always lived."

Rachel is a slave on the Providence plantation. One by one, her children either died or were sold away. Rachel is a mother. What comes next for her? Apprenticeship? Continuation of life as it has always been, just with a different title? Rachel runs, the call of freedom and the glimmer of hope driving her while fear follows her every decision. "She shielded herself from the world as best she could. Every time she saw white skin, her hands would tremble. This was the read power of slavery, the long shadow it could cast after its formal end - that even with all this distance between her and Providence, Rachel still lived in fear."

Freedom, hope, and fear are the themes of the book, not just for Rachel for all whom she encounters and all that she discovers about the lives of her children:
  • "Every freedom had its price."
  • "This is why me don't like to do it... Think about the past. The memories too painful. The hope hurt. All I want to do is live the life in front of me, because it's a miracle me make it here."
  • "Hope hurts."
  • "Hope led you to dream things that could not be, like freedom wrestled from the white man's unwilling hands, or a family reunited."
  • "Freedom mean something different to me. The search, that is freedom."
Rachel travels far in her search. To some extent, her story and the fate of each of her children becomes symbolic of the experiences of so many - those who died or were killed, those who found safety, those who made unthinkable compromises to survive, and those who continue the search.

Reading this story as that of one family cause me to ponder the connections and convenient segways that allow Rachel the path she follows. However, reading it as symbolic allows me to put aside the coincidences and rather focus on the different paths each individual story takes and the immense loss and tragedy. Ultimately, this is story of a mother's love and the lengths to what that love will go and sacrifice to protect and save her children.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Monday, July 1, 2024

In the Hours of Crows

In the Hour of Crows by Dana Elmendorf
Title:
  In the Hour of Crows
Author:  Dana Elmendorf
Publication Information:  MIRA. 2024. 288 pages.
ISBN:  0778310493 / 978-0778310495

Rating:   ★★★

Book Source:  I received this book through NetGalley and a publisher's blog tour free of cost in exchange for an honest review.

Opening Sentence:  "I was born in the woods in the hour of crows, when the day is no longer but the night is not yet."

Favorite Quote:  "She doesn't deserve your kindness... No... She does not deserve my kindness, you're right. But it's not about what she deserves. It about who I am as a person."

***** BLOG TOUR *****


Review

This story of seeking justice is a story set in Appalachia with a decidedly gothic feel.

Weatherly Wilder, an orphan being raised by her grandmother is a Death Talker. As explained in the book, she has a gift (curse?) that she can talk death out of someone dying. The side product of that is something called Sin Eater Oil, a product that has magical properties all its. Weatherly is successful most of them. The cases in which she isn't are the ones that haunt her. Why does she fail? What boundaries and restrictions does her gift have?

Her cousin Adaire can see the future except, it seems, in one case. Adaire is killed while out on a bicycle. An accident? Or something more sinister?

Tied up in Weatherly's story are her grandmother, the stories of her parents, her friends who seem to love and accept her for who she is, and Rook - a creature who is at times boy and at times a crow. Weatherly's story and Rook's are inextricably linked.

The crux of the book is Adaire's death and Weatherly's refusal to believe that it is an accident. The story brings in the past and brings in the powerbrokers of the town, who have their own history with the Wilder family.

The gothic story has an interesting setting in rural, Appalachian Georgia. The setting of the book, however, fades into the background as this book is very much about the characters and the magic of death talker, future teller, shape shifters, and more. The book is also about family - the one we want or choose and the one that does not want us. The setting is almost irrelevant other than being a small town where everyone knows everyone and everyone is connected to everyone.

What I find most fascinating about the book is the relationship between Weatherly and her grandmother and the revelation of the decisions that her grandmother makes. I wish the book revealed more of the story of the grandmother and developed more of her character. For as vital a role as she plays in the book, her character remains relatively one dimensional - Weatherly's mean grandmother.

The solution to Adaire's death, as you might expect lies in the past. However, given the small cast of characters and given the clues revealed about Weatherly's gift, the connections of the past are not a surprise when the big reveal does come. I wish for a twist but there is none in that regard. Nevertheless, it is an interesting, dark, gothic tale.

About the Book

An engrossing and atmospheric debut that follows young Weatherly Wilder as she uses her unique gift to solve her cousin’s mysterious murder and prove her own innocence, set in the beautiful wilds of Appalachia and imbued with magic realism.

In a small town in rural Georgia, Appalachian roots and traditions still run deep. Folks paint their houses blue to keep the spirits way. Black ferns grow, it’s said, where death will follow. And Weatherly Wilder’s grandmother is a local Granny Witch, relied on for help delivering babies, making herbal remedies, tending to the sick—and sometimes serving up a fatal dose of revenge when she deems it worthy. Hyper-religious, she rules Weatherly with an iron fist; because Weatherly has a rare and covetable gift: she’s a Death Talker. Weatherly, when called upon, can talk the death out of the dying; only once, never twice. But in her short twenty years on this Earth this gift has taken a toll, rooting her to the small town that only wants her around when they need her and resents her backwater ways when they don’t—and how could she ever leave, if it meant someone could die while she was gone?

Weatherly’s best friend and cousin, Adaire, also has a gift: she’s a Scryer; she can see the future reflected back in a dark surface, usually her scrying pan. Right before she’s hit and in a bicycle accident, Adaire saw something unnerving in the pan, that much Weatherly knows, and she is certain this is why the mayor killed her cousin—she doesn’t believe for a moment that it was an accident. But when the mayor’s son lays dying and Weatherly, for the first time, is unable to talk the death of him, the whole town suspects she was out for revenge, that she wouldn’t save him. Weatherly, with the help of Adaire’s spirit, sets out to prove her own innocence and find Adaire’s killer, no matter what it takes.

About the Author

Dana Elmendorf was born and raised in small town in Tennessee. She now lives in Southern California with her husband, two boys and two dogs. When she isn’t exercising, she can be found geeking out with Mother Nature. After four years of college and an assortment of jobs, she wrote a contemporarty YA novel. This is her adult debut.

Excerpt

Excerpted from IN THE HOUR OF CROWS by Dana Elmendorf. Copyright © 2024 by Dana Elmendorf. Published by MIRA Books, an imprint of HarperCollins.

PROLOGUE

I was born in the woods in the hour of crows, when the day is no longer but the night is not yet. Grandmama Agnes brought me into this world with her bare hands. Just as her mother had taught her to do. Just as the mother before her taught. Just as she would teach me. Midwife, herbalist, superstitionist—all the practices of her Appalachian roots passed down for generations.

And a few new tricks picked up along the way.

Before Papaw died, he warned me Grandmama Agnes was wicked. He was wrong. It wasn’t just Grandmama who was wicked; so was I.

I knew it was true the night those twin babies died.

“Weatherly,” Grandmama’s sleep-weary voice woke me that night long ago. “Get your clothes on. Don’t forget your drawers.”

My Winnie the Pooh nightgown, ragged and thin, was something pillaged from the free-clothes bin at church. Laundry was hard to do often when water came from a well and washing powders cost money. So we saved our underwear for the daytime.

My ten-year-old bones ached from the death I talked out of the Bodine sisters earlier that day, the mucus still lodged in my throat. I barked a wet cough to bring it up.

“Here.” Grandmama handed me a blue perfume bottle with a stopper that did not match. I spat the death inside the bottle like always. The thick ooze slipped down the curved lip and blobbed at the bottom. A black dollop ready for someone else to swallow.

It smelled of rotting flesh and tasted like fear.

Sin Eater Oil, Grandmama called it, was like a truth serum for the soul. A few drops baked into a pie, you could find out if your neighbor stole your garden vegetables. Mixed with certain herbs, it enhanced their potency and enlivened the superstitious charms from Grandmama’s magic recipe box.

On a few occasions—no more than a handful of times—when consumed in full, its power was lethal.

Out in front of our cabin sat a shiny new Corvette with hubcaps that shimmered in the moonlight. Pacing on the porch, a shadow of a man. It wasn’t until he stepped into the light did I catch his face. Stone Rutledge. He was taller and thinner and snakier back then.

Bone Layer, a large hardened man who got his name from digging graves for the cemetery, dropped a pine box no longer than me into the back of our truck. He drove us everywhere we needed to be—seeing how Grandmama couldn’t see too good and I was only ten. The three of us followed Stone as his low-slung car dragged and scrapped the dirt road to a farmhouse deep in the woods.

An oil-lit lamp flickered inside. Cries of a woman in labor pushed out into the humid night. Georgia’s summer air was always thick. Suffocating, unbearable nights teeming with insects hell-bent on fighting porch lights.

A woman at the edge of panic for being left in charge greeted us at the door. Pearls draped her neck. Polish shined her perfect nails as she pulled and worked the strand. Her heels click-clacked as she paced the linoleum floor.

Grandmama didn’t bother with pleasantries. She shoved on past with her asphidity bag full of her herbs and midwife supplies and my Sin Eater Oil and went straight for the woman who was screaming. Bone Layer grabbed his shovel and disappeared into the woods.

In the house, I gathered the sheets and the clean towels and boiled the water. I’d never seen this kitchen before, but most things can be found in just about the same place as any other home.

“Why is that child here?” the rich woman, not too good at whispering, asked Stone. Her frightened eyes watched as I tasked out my duties.

“Doing her job. Drink this.” Stone shoved a glass of whiskey at her. She knocked it back with a swift tilt of her head, like tossing medicine down her throat, and handed back the glass for another.

Tiptoeing into the bedroom, I quietly poured the steaming water into the washbasin. The drugged moans of the lady spilled to the floor like a sad melody. A breeze snuck in through the inch of open window and licked the gauzy curtain that draped the bed.

When I turned to hand Grandmama the towels, I eyed the slick black blood that dripped down the sheets.

We weren’t here for a birthing.

We were called to assist with a misbirth.

Fear iced over me when I looked upon the mother.

Then, I saw on the dresser next to where Grandmama stood, two tiny swaddles, unmoving. A potato box sat on the floor. Grandmama slowly turned around at the sound of my sobbing—I hadn’t realized I’d started to cry. Her milky white eyes found mine like always, despite her part-blindness.

Swift and sharp she snatched me by my elbow. Her fingers dug into my flesh as she ushered me over to the dresser to see what I had caused.

“You’ve soured their souls,” she said in a low growl. I looked away, not wanting to see their underdeveloped bodies. Her bony hand grabbed my face. Her grip crushing my jaw as she forced me to look upon them. Black veins of my Sin Eater Oil streaked across their gnarled lifeless bodies. “This is your doing, child. There’ll be a price to pay for y’all going behind my back.” For me, and Aunt Violet.

Aunt Violet took some of my Sin Eater Oil weeks ago. I assumed it was for an ailing grandparent who was ready for Jesus; she never said who. She said not to tell. She said Grandmama wouldn’t even notice it was missing.

So I kept quiet. Told the thing in my gut that said it was wrong to shut up. But she gave my Sin Eater Oil to the woman writhing in pain in front of me, so she could kill her babies. Shame welled up inside me.

Desperately, I looked up to Grandmama. “Don’t let the Devil take me.”

Grandmama beamed, pleased with my fear. “There’s only one way to protect you, child.” The glint in her eyes sent a chill up my spine.

No. I shook my head. Not that—her promise of punishment, if ever I misused my gift. Tears slivered down my cheeks.

“It wasn’t me!” I choked out, but she only shook her head.

“We must cleanse your soul from this sin and free you from the Devil’s grasp. You must atone.” Grandmama rummaged through her bag and drew out two items: the match hissed to life as she set fire to a single crow claw. I closed my eyes and turned away, unable to watch. That didn’t stop me from knowing.

The mother’s head lolled over at the sound of my crying. Her red-rimmed eyes gazed my way. “You!” she snarled sloppily at me. Her hair, wild, stuck to the sweat on her face. The black veins of my Sin Eater Oil spiderwebbed across her belly, a permanent tattoo that matched that of her babies. “The Devil’s Seed Child,” the lady slurred from her vicious mouth. The breeze whipped the curtains in anger. Oh, that hate in her eyes. Hate for me.

Grandmama shoved me into the hall, where I was to stay put. The rich woman pushed in. The door opened once more, and that wooden potato box slid out.

The mother wailed as the rich lady cooed promises that things would be better someday. The door closed tight behind us, cries echoing off the walls.

I shared the dark with the slit of the light and wondered if she’d ever get her someday.

Quick as lightning, my eyes flitted to the box, then back to the ugly wallpaper dating the hallway. My curiosity poked me. It gnawed until I peeked inside.

There on their tiny bodies, the mark of a sinner. A crow’s claw burned on their chest. Same as the Death Talker birthmark over my heart. Grandmama branded them so Jesus would know I was to blame.

That woman was right—I was the Devil’s Seed Child.

So I ran.

I ran out the door and down the road.

I ran until my feet grew sore and then ran some more.

I ran until the salt dried on my face and the tears stopped coming.

I was rotten, always rotten. As long as my body made the Sin Eater Oil, I’d always be rotten. Exhausted, I fell to my knees. From my pocket, I pulled out the raggedy crow feather I now kept with me. I curled up on the side of the road between a tree and a stump, praying my wishes onto that feather.

Devil’s Seed Child, I whispered, and repeated in my mind.

It was comforting to own it, what I was. The rightful name for someone who could kill the most innocent among us.

I blew my wish on the feather and set it free in the wind.

A tiny object tumbled in front of my face. Shiny as the hubcaps on Stone’s car. A small gold ring with something scrolled on the flat front. I quirked my head sideways to straighten my view. A fancy script initial R.

“Don’t cry,” a young voice spoke. Perched on the rotting stump above, a boy, just a pinch older than I. Shorn dark hair and clothes of all black.

I smiled up at him, a thank-you for the gift.

“Weatherly!” A loud bark that could scare the night caused me to jump. Bone Layer had a voice that did that to people, though he didn’t use it often.

Over my head, a black wisp flew toward the star-filled sky, and the boy was gone. I snatched up the ring and buried it in my pocket as Bone Layer came to retrieve me. He scooped me up as easy as a doll. His shirt smelled of sweat and earth and bad things to come.

Grandmama’s punishment was meant to save me; I leaned into that comfort. Through the Lord’s work, she’d keep me safe. Protect me. If I strayed from her, I might lose my soul.

Grandmama was right; I must atone.

The truck headlights pierced the woods as Bone Layer walked deeper within them. Grandmama waited at the hole in the ground with the Bible in her hand and the potato box at her feet.

Stone and the rich woman watched curiously as they ushered the mother into their car. The wind howled through the trees. They exchanged horrid looks and hurried words, then fled back into the house, quick as thieves.

Bone Layer gently laid me in the pine box already lowered into the shallow hole he done dug. Deep enough to cover, not enough for forever.

“Will they go to Heaven?” I asked from the coffin, as Grandmama handed me one bundle, then the other. I nestled them into my chest. I had never seen something so little. Light as air in my arms. Tiny things. Things that never had a chance in this world. They smelled sickly sweet; a scent that made me want to retch.

Grandmama tucked my little Bible between my hands. I loved that Bible. Pale blue with crinkles in the spine from so much discovery. On the front, a picture of Jesus, telling a story to two little kids.

“Will they go to Heaven?” I asked again, panicked when she didn’t answer. Fear rose up in my throat, and I choked on my tears. Fear I would be held responsible if their souls were not saved.

Grandmama’s face was flat as she spoke the heartless truth. “They are born from sin, just like you. They were not wanted. They are not loved.” Her words stung like always.

“What if I love them? Will they go to Heaven if I love them?”

Her wrinkled lips tightened across her yellow and cracked teeth, insidious. “You must atone,” she answered instead. Then smiled, not with empathy but with pleasure; she was happy to deliver this punishment, glad of the chance to remind me of her power.

“I love them, Grandmama. I love them,” I professed with fierceness. I hoped it would be enough. To save their souls. To save my own. “I love them, Grandmama,” I proclaimed with all my earnest heart. To prove it, I smothered the tops of their heads with kisses. “I love them, Grandmama.” I kept repeating this. Kept kissing them as Bone Layer grabbed the lid to my pine box. He held it in his large hands, waiting for Grandmama to move out of his way.

“You believe me, don’t you?” I asked her. Fear and prayer filled every ounce of my body. If I loved them enough, they’d go to Heaven. If I atoned, maybe I would, too. I squeezed my eyes tight and swore my love over and over and over.

She frowned down on me. “I believe you, child. For sin always enjoys its own company.”

She promptly stood. Her black dress swished across the ground as she moved out of the way. Then Bone Layer shut out the light, fastening the lid to my box.

Muffled sounds of dirt scattered across the top as he buried me alive.
Please share your thoughts and leave a comment. I would love to "talk" to you.

Friday, June 21, 2024

Brotherless Night

Brotherless Night
Title:
  Brotherless Night
Author:  V. V. Ganeshananthan
Publication Information:  Random House. 2023. 368 pages.
ISBN:  0812997158 / 978-0812997156

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "I recently sent a letter to a terrorist I used to know."

Favorite Quote:  "Tell the UN, tell the Red Cross, tell the newspapers that we are dying, they said. What was it like? Oh, they told us, we die on the beach. We die in the sea, swimming for rescue, and we die in the sand. We dig bunkers for shelter and they becomes graves. Our bodies bleed and shatter and burn. We are leaving our elders and children behind us."

Sri Lanka is a small island nation in the Indian Ocean off the coast of India. Geographically, Sri Lanka is only about 25,000 square miles - a little bit larger than the state of West Virginia; its population in about 20 million people - about the population of the state of New York.

The biggest ethnic population in Sri Lanka is the Sinahala. The largest minority is the Tamil. According to legend, the Sinhala claim to be descendants from the earliest settlers of Sri Lanka. The Tamil claim an equally long history in Sri Lanka. The two groups are divided religiously and ethnically.

Sri Lanka became an independent nation in 1948 with the departure of the British control from the Indian subcontinent. Since that time, the relations between the Sinhala and the Tamil have been strained. Riots have occurred throughout the nation's short history, with the Tamil working for an independent homeland and the Sinhala working to keep government control.

In 1983, the country went into Civil War - the government and army representing the Sinhala, and the Liberation Tigers of Tamil Eelam (the Tamil Tigers) representing the Tamil nationalist interests. Black July is the name given to a pogrom in 1983, where thousands died and many more were injured and even more were left homeless.

This is the story of Black July and its aftermath. It is the story of how extremism grows and takes root on all sides of a political dialogue. It is the story of how the divides becomes larger and larger. It is the story of a young girl - Shashikala - and her brothers. It is the story of how her family's life turns into a "brotherless" night.

Told through the voice of Shahikala, the book talks directly to the reader with a repeated refrain of you must understand:
  • "Imagine the places you grew up, the places you studied, places that belonged to your people, burned. But I should stop pretending that I know you. Perhaps you do n to have to imagine. Perhaps your library too, went up in smoke."
  • "The unholy, untranslatable fear. You tell yourself that you are prepared, but then the terror rises inside you."
  • "I want you to understand: it does not matter if you cannot imagine the future. Still, relentless, it comes."
  • "You want to go on in some sort of peaceful life, but there was never a peaceful life. That was a myth."
  • "You are thinking, as anyone would, as everyone has, at least in passing. about what you would have done. If I were in his shoes, I would never, you have said to yourself; or perhaps you are sure you would have done exactly the same. There is no way to know, truly, without standing where we did."
  • "You must understand: there is no single day on which a war begins. The conflict will collect around you gradually ... You will not even be able to see yourself in the gathering crowd of those who would kill you."
  • "Perhaps you know all of this already; perhaps I am telling you a story you already understand. What I wouldn't give for that to be true! But we both know it isn't."
  • "Whose stories will you believe? For how long will you listen? Tell me why you think you are here, and that will."
As with Island of a Thousand Mirrors, this book leaves a lasting impact. Reading it at this moment in history perhaps magnifies the impact as these tragic words continue to resonate in conflicts around the world. Despite the repeated pleas for understanding, we do not understand.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Wednesday, June 19, 2024

Empire of Ice and Stone

Empire of Ice and Stone
Title:
  Empire of Ice and Stone:  The Disastrous and Heroic Voyage of the Karluk
Author:  Buddy Levy
Publication Information:  St. Martin's Press. 2022. 400 pages.
ISBN:  1250274443 / 978-1250274441

Rating:   ★★★★

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "In early September 1912, a sinewy, sun-seared, elfish-looking man disembarked a steamer at the Port of Seattle with stunning news He encountered a previously unknown tribe of red-haired, blue-eyed, light-skinned 'Eskimos' of Scandinavian origin who'd never seen another white person."

Favorite Quote:  "In the end, Captain Robert Abram Bartlett, ice pilot and master mariner, remains the hero of the Karluk saga, and Vilhjalmur Stefanson its villain."

The Kurluk was one ship - the flagship - in an Arctic expedition in the early 1900s. The ship and its crew met a tragic end; nearly half of those aboard died after the ship became trapped in ice on its way to meet up with the rest of the expedition at Herschel Island.

This book is truly the story of two men. Canadian Vilhjalmur Stefannson was the leader and the planner of the trip. Robert Bartlett was the captain of the Karluk. The difference in outlook, leadership, and actions of these two men is the key to this story.

Shortly after the ship became trapped in ice, Vilhjalmur Stefannson left the ship, ostensibly to hunt for food and to seek help. He never looked back. When he reached a safe point, he went on to pursue his own objectives, leaving the Karluk and its remaining crew to fend for itself.

Robert Barlett, on the other hand, remained with the ship and crew until the ship sank. He ten led a march across the ice to seek help. Weather prevented rescue. However, eventually 14 crew members were rescue.

History has had differing opinions on the decisions of these two men. Read this telling and see what you think. This book offers a very clear opinion.

The book presents much detail about the set up of the expeditions, explaining where care was taken and where it was not. It describes the backgrounds of some of the key team members and what led them to join the mission aboard the Karluk. The details of life on the water and survival on the ice conjure vivid images that place me on board that ship. The mundane details of day to day life. The threat of fire. The lack of food. The idea of drifting where the ice takes you with no control over your direction or destination.

The descriptions of the interactions - teamwork, arguments, and fights - among the crew are a case study in group behavior, especially in close quarters and such dire circumstances. The book also tells of the other heroes and villains of this expedition beyond the two men primarily remembered by history. The research for this book, to my knowledge, was done through notebooks, journals, and archives. The book, however, includes conversations and dialogue. It is unclear how that is created, but, to my guess, it is created, turning this history into a story. It makes for much easier reading.

Perhaps most fascinating of all are the book's descriptions of the Artic conditions - the ice and the weather.  To me, the ice itself is as much a character of this history as any human being. For all the horror this expedition goes through, the descriptions of the ice are stark and beautiful in their own way. It is a reminder of the power of nature and the importance of human beings to always be mindful of that power.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Thursday, June 13, 2024

The Stolen Book of Evelyn Aubrey

The Last Book of Evelyn Aubrey
Title:
  The Stolen Book of Evelyn Aubrey
Author:  Serena Burdick
Publication Information:  Park Row. 2022. 352 pages.
ISBN:  0778333108 / 978-0778333104

Rating:   ★★

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "This will go on forever, life and death, stretching out over the expansive body of water, chill and slick and seductive against my skin."

Favorite Quote:  "Those are the moments that make up a life. You choose what you look at and there is always something beautiful. That is your beginning. Notice the moments and you will find, that you are no longer waiting for your life to begin. You will find that you were there all along. That you had already arrived."

The book description tells you the story of this two time line book.

The Past:  Evelyn is a writer. She marries a writer. He suffers from writer's block. He steals her book and markets it as her own. Evelyn decides to find a way out.

The Present:  Abigail lost her mother at a young age and does not know who her father was. She finds a photograph that suggests that Evelyn Aubrey was her great-grandmother. She goes to Godstow, England to find the answers of the past.

The Conclusion:  Was Evelyn Aubrey murdered as London society believed? Or did she have "another plot up her sleeve?" Given that the information Abby finds states that she is descended from Evelyn Aubrey further clarifies the answer to this question.

The book description does a disservice to the book. The fact that the book description lays out the story and its eventual conclusion means that there is no surprise to the book. There is no mystery as to Evelyn's outcome, just the journey of how. The description would be more effective if the book then introduces a surprise or a twist that stems from the descriptions but adds an unexpected element. This book does not. It proceeds exactly as you might surmise from the description, leaving me as a reader unsatisfied.

In the story of the present, Abby is a challenging character to invest in. She is thirty one years old and able to walk out on a job. "In her head she had good reasons for doing things, but as soon as she started explaining herself, they didn't seem logical anymore. She was uncommitted, bad at making decision, bad at her jobs, at her relationships." She lives with her grandparents and yet walks out on them to begin this search. "Not telling them where she was going was a heartless thing to do, but she wasn't going to risk being reasoned with." Yet, somehow, in this search, things seem to go her way from the ability to drop everything and fly to England to instant invitations to stays in people's homes.

Evelyn's story begins as a surprise. Evelyn walks out on an engagement based on a whirlwind romance with William Aubrey. Her parents agree to Evelyn's marriage to William and endow them with property. William's betrayal, his theft of her work, and society's acceptance that the work had to be his follow the social paradigms of the time. For the historical relevance, for the journey of an author, and for the struggles of a woman asserting her rights, Evelyn's story is the more interesting one of the two timelines. However, as I seem to know the ending before I begins, it loses something. I wish there had been a surprise.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Sunday, June 9, 2024

Lessons

Lessons
Title:
  Lessons
Author:  Ian McEwan
Publication Information:  Knopf. 2022. 448 pages.
ISBN:  0593535200 / 978-0593535202

Rating:   ★

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "This was insomniac memory, not a dream."

Favorite Quote:  "A shame to ruin a good tale by turning it into a lesson. That could be for later."

Ian McEwan is an author who has long been on my to read list. The rave reviews his books receive. The awards he has received. His involvement in issues on a world stage. Recommendations from friends. Lessons is the first of his books I am reading.

Unfortunately, I struggle with the book from its very beginning. The book begins with a boy at boarding school. A teacher, an individual in a position of authority, propositions him. The book then jumps to the boy as an adult, and his wife has abandoned him and their young child.

These two events at the very beginning of the book are shocking, not because such things don't happen. They do. However, they are shocking because there should be an intensity of emotion that accompanies the occurrence of these events, the telling of this story, and, for me, the reading of this story. Yet, for me, there is not. In fact, my reaction is to want to look away. I put down the book and don't pick it up for days. I pick it up and then put it down again. It is a challenge for me to get through.

The book description states, "Epic, mesmerizing, and deeply humane, Lessons is a chronicle for our times—a powerful meditation on history and humanity through the prism of one man's lifetime." The book does indeed cover a lot of history - time and place from the end of World War II to present day. Unfortunately, the main character - the lens through which the history is narrated is not one I find I can relate to. His life and hence the book seems to meander through this history, sometimes with no purpose and no sense of direction. As it meander, many characters - too many - float in and out of the story, making it even more of  a challenge to follow. I do not find myself engaged in the main character's story to want to see how it turns out for I am unsure it even does "turn out" into a cohesive, satisfying conclusion.

Certain books leave a feeling that perhaps the reader is not "clever" enough to follow or understand the depths the author is trying to reach. To me, that is not a fault of the book but an indication that I am not the reader for the book. Perhaps, I will try a different book by the author. Perhaps not. This one was not for me.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Saturday, June 8, 2024

Days of Wonder

Days of Wonder by Caroline Leavitt
Title:
  Days of Wonder
Author:  Caroline Leavitt
Publication Information:  Algonquin Books. 2023. 320 pages.
ISBN:  164375128X / 978-1643751283

Rating:   ★★★★

Book Source:  I received this book through NetGalley and a publisher's blog tour free of cost in exchange for an honest review.

Opening Sentence:  "Ella stepped through the prison gate, blinded by the sun and the hard blue of the sky, frantically searching the crowd for her mother."

Favorite Quote:  "Her mother used to tell her the the most important forgiveness was God's, but to get it you had to first get the forgiveness of the person you had wounded. You had to ask once, then twice, and then a third time, and if you weren't forgiven by the person, then God, at least would forgive you."

***** BLOG TOUR *****



Review

"I still look back in wonder at that summer." The "days of wonder" in this book are a summer in which young love begins, a family forms, a dispute occurs, and it all ends in tragedy. Fast forward several years. A young woman is released from prison. A mother tries to hold on and define who she is without the family unit. A young man discovers truths he has long not seen. 

Ella and Jude meet in school. Young puppy love or something much stronger? Either way, they both create a world onto themselves. Jude's father does not approve. Ella's mother somewhat does not or does in an effort to be part of the glow of their relationship and to maintain the family she longs for. She has her own history, having been disowned by her Hasidic Jewish family for what they considered an unforgivable sin. It has always been Helen and Ella. Now, she thinks it is to be Helen, Ella, and Jude.

As the book description states, Ella is accused of attempted murder of Jude's father. She is sent to prison. She is pregnant, and the baby is given up for adoption. What truly happened that night? Where did Jude go? Why did he never return?

Six year later, Ella finds herself out of prison and heading to Ann Arbor, where she thinks her daughter may be. Ann Arbor brings the baby's adoptive family and the issues there that Ella finds herself involved in. In addition, the shadow of her past haunts her. In addition, her relationship with her mother shifts as they both navigate this world.

Ultimately, this melodramatic story is about the women - Helen, Ella, Marianna, and even Angie (you have to read to find out who Angie is). It is about the sacrifices and the struggle to define a life, each for themselves. Helen, who now has the opportunity to define herself beyond the scared single mother abandoned by her family. Ella, who went to jail as a child and emerges as a women haunted by the past but looking for a future. Mairanna, whose marriage is not what she thought it was. Angie, who finds her love to have a past buried in secrets. It is also the story of a young man, who makes a tragic mistake as a child which is then exacerbated by abuse from an unforgiving father. As a result, the boy grows into a man who perhaps cannot forgive himself.

The book is melodramatic. However, the relationships, particularly of mother with daughter, are explored with care and ring true. The grief Helen, Ella, and Marianna suffer at the hands of the "system" and of the people in their lives rings true. The idea of forgiveness - for others, from others, for ourselves, and from ourselves rings true. For me, this is a memorable story.

About the Book

New York Times bestselling author Caroline Leavitt returns with a tantalizing, courageous story about mothers and daughters, guilt and innocence, and the lengths we go for love.

As a teenager, for a moment, Ella Fitchburg found love—yearning, breathless love—that consumed both her and her boyfriend, Jude, as they wandered the streets of New York City together. But her glorious life was pulled out from beneath her after she was accused of trying to murder Jude’s father, an imperious superior court judge. When she learns she’s pregnant shortly after receiving a long prison sentence, she reluctantly decides to give up the child.

Ella is released from prison after serving only six years and is desperate to turn the page on a new life, but she can’t seem to let go of her past. With only an address as a possible lead, she moves to Ann Arbor, Michigan, determined to get her daughter back. Hiding her identity and living in a constant state of deception, she finds that what she’s been searching for all along is a way to uncover—and live with—the truth. Yet a central mystery endures: neither Jude nor Ella can remember the events leading up to the attempted murder—that fateful night which led to Ella’s conviction.

For fans of Miranda Cowley Heller’s The Paper Palace and Allegra Goodman’s Sam, Caroline Leavitt’s Days of Wonder is a gripping high-drama page-turner about the elusive nature of redemption and the profound reach of love.

About the Author

Caroline Leavitt is the award-winning author of twelve novels, including the New York Times bestseller Pictures of You and Is This Tomorrow. A book critic for People magazine, her essays, articles and stories have been included in New York magazine, “Modern Love” in the New York Times, Salon, and The Daily Beast, among others. The recipient of a New York Foundation of the Arts Award for Fiction and a Sundance Screenwriters Lab finalist, she is also the co-founder of A Mighty Blaze.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Wednesday, June 5, 2024

The Library Thief

The Library Thief by Kuchenga Shenje
Title:
  The Library Thief
Author:  Kuchenga Shenjé
Publication Information:  Hanover Square Press. 2024. 368 pages.
ISBN:  1335909699 / 978-1335909695

Rating:   ★★★

Book Source:  I received this book through NetGalley and a publisher's blog tour free of cost in exchange for an honest review.

Opening Sentence:  "The story starts with a scandal that I thought would end my life."

Favorite Quote:  "Wherever I ended up, I would survive. The shame of my former sins couldn't hold me down. I just wanted to live free from everything that had been done to me."

***** BLOG TOUR *****


Review

I choose to read this book because, well... library! Add to that the potential of a thief and a mystery and the book becomes even more promising. This book, however, is not much of a mystery and not very much about the actual library or the books except perhaps for the monetary value of the books.

The very end of the book description provides a better indication of what this book is really about. "A striking exploration of race, gender and self-discovery in Victorian England." 

In 1896 after being kicked out of her home by her father, Florence talks her way into a job to restore old books at an estate. The job comes with room and board solving another of Florence's problem. However, she seeks this job not just for the income and but for other reasons that are slowly revealed through the book. These motivations bring in the element of race. As the book description indicates, Florence is Jamaican born with hair that had to be "hot-combed to make her look like the other girls" in England.

The book brings in the conversation about gender through secondary characters in the book. It is presented through the lens of Florence's acceptance and the potential consequences if it is to become public in a Victorian England setting. Sadly, the plot uses this conversation as a way to bribe someone to do something. You do this for me. I keep your secret. The conversation is not as much about gender but about the use of that knowledge about someone for another's gain.

The self-discovery I suppose occurs both for Florence and for some of the secondary characters. For Florence, it is about acceptance of her past, acceptance of what has been done to her, and the ability and confidence to make the decision as to what comes next. She has helpers and detractors along the way, but ultimately the journey is hers. That being said, parts of her "self-discovery" come in horrific ways (trigger warnings!).

More than Florence's journey, I am intrigued by the stories of the other characters, one of whom dies before the book begins but nevertheless is a key character. Her story, the story of her family and their sacrifices, and the eventual death would make a fascinating story.  Perhaps, more fascinating than the one in this book.

Florence's story is interesting and ends in an unexpected way. However, I do wish a book that has library in the title was more about the library and the books!

About the Book

The library is under lock and key. But its secrets can't be contained.

A strikingly original and absorbing mystery about a white-passing bookbinder in Victorian England and the secrets lurking on the estate where she works, for fans of Fingersmith and The Confessions of Frannie Langton.

1896. After he brought her home from Jamaica as a baby, Florence's father had her hair hot-combed to make her look like the other girls. But as a young woman, Florence is not so easy to tame—and when she brings scandal to his door, the bookbinder throws her onto the streets of Manchester.

Intercepting her father's latest commission, Florence talks her way into the remote, forbidding Rose Hall to restore its collection of rare books. Lord Francis Belfield's library is old and full of secrets—but none so intriguing as the whispers about his late wife.

Then one night, the library is broken into. Strangely, all the priceless tomes remain untouched. Florence is puzzled, until she discovers a half-burned book in the fireplace. She realizes with horror that someone has found and set fire to the secret diary of Lord Belfield's wife–which may hold the clue to her fate…

Evocative, arresting and tightly plotted, The Library Thief is at once a propulsive Gothic mystery and a striking exploration of race, gender and self-discovery in Victorian England.

About the Author

KUCHENGA SHENJÉ is a writer, journalist, and speaker with work on many media platforms, including gal-dem, British Vogue and Netflix. She has contributed short stories and essays to several anthologies, most notably It’s Not OK to Feel Blue (and Other Lies), Who’s Loving You and Loud Black Girls. Owing to a lifelong obsession with books and the written word, Kuchenga studied creative writing at the Open University. Her work is focused on the perils of loving, being loved and women living out loud throughout the ages. The Library Thief is the ultimate marriage of her passions for history, mystery and rebels. She currently resides in Manchester, where she is determined to continue living a life worth writing about.

Excerpt

Excerpted from THE LIBRARY THIEF by Kuchenga Shenjé. Copyright © 2024 by Kuchenga Shenjé. Published by Hanover Square Press, an imprint of HarperCollins.

The story starts with a scandal that I thought would end my life. Fortunately, my scandal didn’t kill anyone. In fact, it pales in comparison with what I went on to discover at Rose Hall.

Thus far, the way I see it, in any good life you need to die several times to really lead a life worth living. There are little deaths and there are big deaths. My tale has both—and the real tragedy would be if this story were to die with me.

I was lying when I swore I would take this secret to my grave. I had no right to promise that.

***

Granger’s Bookbinders,
143 Long Millgate,
Manchester,
Rose Hall,
Lancashire,

November 20, 1896

Dear Mr. Granger,

I trust this note finds you in good health and that business is as steady as when last we met some years ago.

I write to you with an unusual commission. I will not trouble you here with the details of my current circumstances. Since the untimely death of my beloved wife, Lady Persephone, it seems the fates are in conspiracy against me. Suffice it to say that I find myself now in need of your excellent services and on a far grander scale than before.

The library at Rose Hall is, as you are aware, extensive. I am proud of the rarity and quality of the books it now houses, a collection that I have painstakingly curated over many years. I now find myself in the unhappy position of seeking a buyer for my collection. Many of the books, due to their age and mishandling by less cautious owners, are badly in need of restoration. There are perhaps some two hundred such artifacts. The nature of my circumstances make it necessary that this work be carried out to the highest quality and with the greatest rapidity. Since no bookbinder in the North West possesses skills equal to yours, I thought of you at once.

Please inform me as soon as you are able whether it is within your means to accept such a commission.

Your obliged and affectionate friend,

Lord F. Belfield

1

I fell in love with the feel of the cotton before I fell in love with the books. Leather felt too masculine and reptilian. Cloth was so much warmer and didn’t slip out of my hands as easily. As a child I played underneath the tables and made toy families from the scraps that fell at my father’s boots.

He would never talk to me about where the cloth we used came from, nor the contents of the books we worked on. There were a lot of things my father wouldn’t tell me, and rather than keeping me ignorant, his silence made me more curious. And fortunately, I was surrounded by the means to nourish that curiosity.

Most of the time we spent together as I grew up was in silence, folding, beveling and smoothing. I sometimes wished my fingers could be as thick as his; he didn’t grimace when schooling leather and cloth into precise lines under his digital tutelage. I tried to be like my father, but all the books he left lying around gave me opinions.

* * *

I arrived at the front door of Rose Hall looking more ragged than I would have liked. My breath was far from fresh, and the hair pins and clips I had used to imprison the frizzier strands had been loosened by the bumps of the rickety carriage. I had been dropped at the top of a tree-lined drive that was at least a quarter mile long, if not more. The December mists obscured my vision, and I could only just make out the shape of a grand house, the likes of which I had only really seen on biscuit tins in the windows of Manchester’s new department store, though I had imagined them as I read Brontë, Austen and Radcliffe. Even with the curls of mist in the air, I could tell this was a very English dwelling. As I approached it my feet slipped and shifted on the gravel, unused to navigating such terrain after only walking on cobbled streets and across wooden floors.

Lord Francis Belfield of Rose Hall had been my father’s long-standing customer. He was the only man I’d ever seen look luxurious without any air of pomposity. The men of Manchester were not known for wearing velvet, so the sheen of his jackets always marked him out as distinguished. It felt completely fitting that Rose Hall was an ode to symmetry and a more tasteful example of the grandiosity of the mid-eighteenth century. It was an early Georgian home of Lancashire sandstone. Even though my father hadn’t mentioned it, the period of the building’s erection and the mercantile success of Lord Francis Belfield were all I needed to know to deduce that the building and its grounds had been purchased with plantation wealth.

I knocked on the forest-green door and left my suitcases on the ground, hoping that looked more elegant than being strained down by the weight of my clothes, books and binding tools. In my pocket, my fingers found the folds of Lord Belfield’s letter. I inhaled, recalling once more the story I had so carefully rehearsed.

The door opened and a pair of prominent blue eyes glared at me through the crack. “Well?”

“Miss Florence Granger for Lord Francis Belfield, please.”

I took in the lines, too many for the face of someone who was still clearly a young man. The hand holding the door open was rough and calloused.

“He is expecting me,” I added.

“No ’e is not.”

I blinked, having not expected resistance this soon.

“I assure you I arrive here at the request of Lord Belfield himself. I am from Granger’s of Manchester.”

The door widened and there stood a long-limbed boy of no more than twenty. His movements were almost feline. The way he handled the door without effort despite its apparent heaviness was quite a marvel.

“We are bookbinders. I’ve been sent to care for your master’s collection.” I retrieved the letter from the pocket of my coat and held it out.

He made no move to take it, but instead chewed his bottom lip, realizing there was truth to my words but clearly unconvinced by me. A female tradesperson at the door to Rose Hall was probably not a common occurrence.

“Young man, I excuse you of your impertinence, but I have been traveling for some hours and would like to rest,” I told him, trying a sterner approach. “Please fetch your master.”

“’E don’t rise before midday most days anymore. You can wait in the kitchens, if you like.”

Now it was my turn to falter. I had no way of assessing how appropriate this was. Should I be seated in the parlor? If I allowed myself to be taken to the kitchens, was I aligning myself with the downstairs staff? I was an artisan, not a servant. But a sharp ripple through my stomach made the decision for me.

“Very well, so long as your offer comes with a cup of tea.” I sighed and crouched down to pick up my suitcases.

“No, m’lady. I’ll tek those.”

He ushered me into the reception hall, lifting my bags up to his sides as if they weighed nothing at all. The door chuffed itself closed behind us with a low groan. The darkness of the perimeter indicated that there was no draft coming through, nor a single sliver of light. A curtain hung to the right of it and the man gave it a sharp tug. It concealed the entrance entirely once pulled across, an odd choice. It gave the sense of being sealed into the house somehow—not being able to see where one could escape.

Stepping into the hall, I was compelled to look up. It was a huge atrium, with dark green textured walls and candles placed at regular intervals which gave the illusion of a warm, close space. He led me over a black-tiled floor, underneath a vast yet delicate brass chandelier aglow with coppery bulbs. At the back of the hall, under the bifurcated staircase, he opened a hidden door which led down to the kitchen. Before I had reached the bottom the herbaceous and deeply woody smells of the kitchen came wafting up to greet me. It was divine. But when we reached the flagstoned room I saw there was nothing on the stove; I could only imagine that months of cooking in a room with such small windows had baked the scent into the walls.

I was seated at a wooden table facing an array of copper pans and white jugs with the high windows behind me. It was clearly a kitchen intended for many staff, but there was none of the expected bustle. Where was everyone? I shifted uncomfortably as I cast about for something to say, before realizing that I didn’t know the young man’s name.

“What is your name?”

“Wesley.”

“Wesley what?”

He gave me a strange look. “Bacchus. Wesley Bacchus. I’m the footman.”

He was telling me that as a footman, his surname did not matter. Of course there was no reason that I, as a craftswoman, should know the intricacies of these hierarchies, but I sat in silence, not wanting to betray myself further by speaking again.

I was grateful when the cook came in some minutes later—from a pantry, I imagined—but she barely looked in my direction, merely banging a pan of water onto the stove. My stomach growled something fierce when she entered, almost as if my belly knew that I was meeting the person in charge of feeding the house.

I waited for her to acknowledge me, while Wesley continued to look on with a smile playing about his lips. But she only retrieved a mug and a caddy, before placing a steaming tea in front of me with a snort. My shoulders slumped. I hadn’t expected to be treated as a lady, but had hoped for at least some respect. Would my father have received such a poor greeting? I sipped the tea, grateful for its sweetness and warmth as the cook clattered about with her back to me. As I finished, she returned to the table with a thick slice of ham sandwiched between two slices of bread. There was also a large apple on the plate and in her other hand was a pewter cup of water. She’d clearly heard my stomach. But her face showed no compassion as she laid the blessed offering on the table.

With one last assessing glance at me, Wesley left, and the cook returned to the stove, making it clear she had no intention of speaking to me. I decided I could forget my manners just as she had hers, and devoured the most delicious meal I’d had in weeks. Salty ham on pillowy bread, with a delightfully sour apple and water that tasted like it came from the purest spring to cleanse my palate. After greedily wiping the crumbs off the plate with one of my fingers, I took out A Christmas Carol from my coat pocket and started reading until the words on the page began to blur. The beast of a carriage I had traveled in overnight had creaked with the strain of being drawn up even the slightest incline. Combined with the cold that jolted me from slumber, I had only been able to sleep in fits and bursts.

I awoke, suddenly, with my head on my crossed arms in front of me and my wrist soaking wet from my dribble. The plate and pewter cup had been taken away and Wesley was standing above me, a mocking smile about his thickish lips.

“I’m sorry to wake you, Miss. Lord Belfield says he’ll see you now.”

Wesley led me back upstairs, and down a corridor. As we passed a tall, gilded mirror, I stopped, horrified by my reflection. My hair, after only days left to its own devices, was now once again completely untamed. My eyes were bloodshot with fatigue and my skin was pale, making my freckles stand out. Hastily, I tried to force my frizzed hair back beneath its pins as Wesley stopped too. He watched me with amusement until I had done the best I could, and we continued on our way.

I thought back to the last time I had seen Lord Francis Belfield. His best features were his long fingers, which were always encased in tight kid gloves that he never took off. Oh, and the smell of him! Rich pepper with a botanical soapy undertone, which always impressed me. Not in a way that would make me swoon. He’s not the kind of man a girl like me is meant to fall in love with. No, what I felt was awe. A man of his fortune had surely seen more of the world than most. He’d have tales of Saint Petersburg, Constantinople and Siam. If only I could ask him. The need to convince him of my employability made doing so inappropriate.

The door opened onto the parlor, and immediately I could see that the man I remembered from our shop was very different from the man who sat in front of me. He was wearing a turmeric-colored silk waistcoat embroidered with indigo plants, paired with dark trousers. He had clearly dressed hastily, and a thread toward the bottom of his trousers was loose and trailing on the floor by his feet. I inhaled deeply but could not catch the spiced vegetal scent that usually accompanied his presence. He was much thinner than when I had last seen him, and his eyes drooped as if he had suffered many a sleepless night. He stood up from his seat to shake my hand but returned to it quickly as if he couldn’t bear to hold himself up for too long.

“My name is Florence Granger, sir,” I began, but he waved a hand.

“Yes, yes, I remember you. But why has your father sent you all this way without an escort? It must have been a frightful journey.”

“Oh, no, Lord Belfield. The journey was fine.” I cleared my throat to make space for the bigger lie. “My father sent me to complete the work on your collection that you requested.”

He looked at me aggrieved. Offended, even. The way his forehead crumpled made me more aware of the thinning hair at his temples. Even disheveled, he was no less handsome. However, I pondered whether he might feel a sense of loss for the way he used to look. On my previous viewings of him, he looked like someone who was used to being seen and spoken of as a very handsome “young” man. Although he wasn’t superbly weathered, he now had the face of a man who had endured. A sad wisdom brought the tops of his eyelids a little lower. His jawline was a bit less tenderly set because his teeth were more used to being gritted together from stress. I supposed it was grief. He had lost his wife less than a year before, after all, leaving him with only his son.

“Why on earth would he do that? This hasn’t even been discussed. Had he accepted the commission, I would have had the books sent to Manchester.”

Ah. This I had not considered. I remembered the words on the letter. I was sure that it was an invitation to stay and restore the library. My mouth was dry as I prepared my next lie.
Please share your thoughts and leave a comment. I would love to "talk" to you.

Wednesday, May 22, 2024

The Winter Garden

The Winter Garden
Title:
  The Winter Garden
Author:  Nicola Cornick
Publication Information:  Graydon House. 2022. 336 pages.
ISBN:  1525811460 / 978-1525811463

Rating:   ★★★★

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "They awoke that morning to snow."

Favorite Quote:  "It cannot always be a fight. Sometimes we must be content to bide a little and wait for our time to come around again."

As with Nicola Cornick's other books, The Winter Garden is a story of multiple time periods and the women of the time struggling, fighting, and making their own way. In the present day, Lucy has lost her career and her way of life to a disease. She is at a crossroads because everything she worked for her whole life and everything she dreamed of is gone. She retreats to her aunt's home in Oxfordshire to rest and recover physically and emotionally. The home has its own history, and a project is underway to restore and recover part of that history - a garden lost to time.

The history of the past is of the 1600s. The Catholics of the region felt persecuted by the Protestant kings and queens. There was religious strife which led to political strife. "Matters of religion were a thorny thicket for a man - or woman - to discuss with their fellows. The past fifty years had made us wary. Wars had been waged, men of conscience killed, families such as ours split apart, imprisoned, robbed of our fortunes." Robert Catesby was a Catholic landowner and a ringleader of the Gunpowder Plot of 1605, a failed plan to blow up the King and other nobleman on the opening day of Parliament. The holiday called Guy Fawkes (another of conspirators) Night or Bonfire Night still celebrates the failure of this plot.

In the story, Lucy's aunt's home once belonged to Robert Catesby. For the book, the main character of the past is Robert Catesby's mother although the garden is question was actually created at the request of his Protestant wife. Robert Catesby's wife plays a major role in the book, and yet it is not her story that is told. 

The book proceeds somewhat like an archeological dig with a visiting ghost and visions and some of romance added. As Lucy experiences visions of the past and gets involved in the restoration project, her visions and discovery lead to that layers of the story of the past. The story of the present is one of healing; the story of the past is one of destruction. The anchor of the book is very much Lucy's story of grief and healing. The romance in the book is a sweet one and enough in the background to allow the story to remain focused on the history and its ramifications into the present.

This book, yet again, does what I love about historical fiction. It teaches me something new in history. I read the story and am off to search nonfiction sources for the actual history. I have, of course, heard of Guy Fawkes and Bonfire Night. However, I had never before heard of Robert Catesby and his role in this history. The fact that the fiction is from the perspective of the women leaves me wondering of the actual women of this history and if anything is written of their roles and contributions.


Please share your thoughts and leave a comment. I would love to "talk" to you.