Sunday, November 12, 2017

The Waking Land

Title:  The Waking Land
Author:  Callie Bates
Publication Information:  Del Ray. 2017. 400 pages.
ISBN:  0425284026 / 978-0425284025

Book Source:  I received this book as a publisher's galley through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "I felt safe that night in Laon, safer than I had any night before in the city."

Favorite Quote:  "we have to be merciful ... If we're not, then what are we?"

When Lady Elana Valtai is about five years old, she and her family walks into what is essentially an ambush. No blood is shed, but Elana is kidnapped and held as insurance such that her father will no longer threaten the king in power.

Fast forward about fifteen years. Elana lives as a princess, having been cared for like a daughter by the king who kidnaps her. What she knows is the king's version of history and the fact that her family never came back for her. They seemingly left a five year old and never looked back. The secret Elana holds is of her past and of her magic, one because of guilt and the other because magic is a forbidden art.

Then, her world changes yet again. The king dies; rivals emerge; and Elana is on the run for her life. Her escape leads her back to her childhood home and her family. Here, she learns that there is another version of the history she has been taught and another side to the story. Allegiances are questioned and questioned again. An epic struggle for the kingdom ensues, with sorcerers, handsome princes, princesses who can defend themselves, and all the intrigues of royal politics.

Battling for the empire with kidnappings, rival kingdoms, armed soldiers, and sorcerers is unfortunately not quite the exciting, adventure-filled story I expect it to be. Unfortunately, the "epic" is not quite so epic. Primarily, this has to do with the depiction of the main character, Lady Elana. Warranted that at a young age, her world has been upended twice. It would be natural for her to question beliefs and actions. However, that uncertainty and that questioning somewhat takes over the book. Considering that she is the narrator of the story, what the reader sees is her internal monologue of uncertainty more so that the story itself. This also makes the pace of the story seem really slow, which does not work considering the plot line. Every plot twist seems to be accompanied by Elana's questions. Should I? Shouldn't I? Who do I trust? What do I do?

I am also disappointed in that the romance and Elana's romantic thoughts take over what should have the story of a strong, independent young woman capable of standing on her own. Not every story needs a love story, and not every princess needs a knight in shining armor. I would much prefer the story of the princess who is a brave knight.

The magical element, particularly the power of the earth, is present but not really developed as a main point in the book. Given the cover and the title, I expect there to be a greater importance placed on the land itself and on the role of humans as the stewards of the land. That message is really not the objective of this book.

The most interesting aspect of this book is the world the author creates. Admittedly, the reader gets a limited view through Elana's eyes. However, what is visible sounds like the forests of medieval England, Ireland, and Scotland with the addition of modern weapons. Royal palace intrigues usually make for an entertaining story, and this book is no different. It just falls short of the being the grand adventure it could have been.


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Wednesday, November 8, 2017

Something Like Happy

Title:  Something Like Happy
Author:  Eva Woods
Publication Information:  Graydon House. 2017. 432 pages.
ISBN:  1525811355 / 978-1525811357

Book Source:  I received this book as a publisher's galley through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "You can't always pinpoint the precise moment that your life goes wrong."

Favorite Quote:  "...sometimes it's in the contrasts. Hot bath on a cool day. Cool drink in the sun. That feeling when your car almost skids on ice for a second and then you're fine - it's hard to really appreciate things unless you know what it's like without them."

Polly and Annie are strangers, until they are friends. One is living while she is dying. The other one is dying while she still has a lot of life to live.

Polly is a terminal cancer patient with a brian tumor that will lead to her death soon, really soon. Yet, Polly is determined to be happy and live every one of the days she has left.

Annie is physically healthy, but emotionally in pieces. Her marriage ended, ending many friendships along with it. She is working in a dead-end job and living in an apartment which she has not yet made home. Her mother suffers from dementia, with lucid moments becoming more and more rare. Annie has a lot to be sad about.

Polly and Annie meet at the hospital, and Polly makes Annie her project, if you will. She is persistent and edges her way into Annie's life, determined to have Annie join her project of a hundred days of happiness.

The book proceeds predictably with its repeated message about making the choice to be happy, about looking around and seeing the blessings in life, and about taking control of your own happiness. As you might expect, other friendships an romances emerges.

The serious moments in the book emerge from different sources, some predictable and the others more unexpected. The predictable one of course is Polly's story. How could a story of a lovely young woman struck down with a deadly disease not be sad? Beyond that though, it turns out that Polly has a story that goes beyond her illness. It is a reminder for Annie that all of us have a story. Thankfully, many are not catastrophic like Polly's but each life has sadness and joys. It depends on where you keep the focus.

A serious aspect of this book is embedded in a side character's story. One of the doctor is portrayed as aloof, abrupt, and focused. However, behind that demeanor is a story of an immigrant and a refugee trying to build a new life and devastated by the grief of the suffering of family left behind. Polly makes the point broader, "You know, nearly every doctor I've had in here is foreign. People say its' a bad thing, but what I'd like to know is, who would be doing those jobs if there weren't here? Thank goodness they can, is what I say!" Again, the point becomes that everyone has a story, but we have to choose to listen.

Another serious statement is found in the story of Polly's brother. His is the story of a fear of rejection, abuse, and the courage to emerge from both. The smooth, polished actor surface of his persona hides the story within. Again, a story exists. Joy and sorrow exist.

The book is predictable, sad, and sweet. There is nothing subtle about the points it tries to make. However, the central theme is a reminder that we all need at times. "How about a hundred days of doing our best to be alive - even if it's sad, or ordinary, and we want to cry most of the time? That's what living is, I think. Letting it all in. The happy days, the sad days, the angry days. Being awake to it."


Please share your thoughts and leave a comment. I would love to "talk" to you.

Monday, November 6, 2017

The History of Bees

Title:  The History of Bees
Author:  Maja Lunde
Publication Information:  Touchstone. 2017. 352 pages.
ISBN:  1501161377 / 978-1501161377

Book Source:  I received this book as a publisher's galley through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "Like oversized birds, we balanced on our respective branches, each of us with a plastic container in one hand and a feather brush in the other."

Favorite Quote:  "But first and foremost the knowledge made me richer. Richer than the other children. I was not beautiful, not athletic, not good with my hands or strong. I could not excel in any other fields. In the mirror an awkward girl stared back at me. The eyes were a little too small, the nose a little too big. The ordinary face revealed nothing about what she was carrying - something golden, something that made every single day worth living. And that could be a means of getting away."

Three time periods. Three parents and their children. Three families and their struggle for survival. And the bees or the lack of bees.

Years ago, I read A Secret Life of Bees by Sue Monk Kidd. A few years ago, I read a book titled The Bees by Laline Paull. Recently, environmental news has been full of articles about bees dying and the devastating effects that could have on our world. All of this reading has left an impact. So, when I saw a book titles The History of Bees, I flew at the chance to read it.

This book is fiction, of course. It is and is not a history of bees. Most of the book is like reading three independent stories in three completing different time periods and settings. What ties them together is the bees. In the 1850s in England, there is William, a biologist and a man who is trying unsuccessfully to make his mark on science. In 2007 in the United States, there is George, a beekeeper who is trying to keep his family business going in the face of economic, environmental, and familial adversity. In 2098 in China, there is Tao, a human pollinator who does the work of bees and who would do anything for her only child Wei-Wen.

The book alternates between the three time and three points of view. At the beginning, that makes the book a challenge, keeping the time lines and characters straight and trying to guess at the link between the three. Soon, however, that ceases to matter as the stories take over. The progression is effectively handled so that when the conclusion and connections come full circle, it seems like a natural outcome.

Throughout the book, you know the stories connect and you know the connection is the bees, but the how and the why does not become clear until the "a-ha" moments until the end. However, that does not matter. The three stories themselves are engrossing with developed main characters that I feel for. The writing evokes vivid images of these three completely different worlds.

Of course, the book makes its environmental and political statement. With such a topic, I expect it. However, this book accomplishes that in a natural way within the context of the story rather than a moralistic statement that happens to be couched in a story.

The parallel and equally important theme in this book is the bond between parent and child. William is disappointed in his son Edward and for a long time, does not see the potential in his daughters, particularly Charlotte. George and his son Tom are somewhat estranged as Tom's dreams lead away from the family business and George cannot envision a future with no one to carry on the family legacy. Tao spends every waking moment thinking of how to give her toddler son a better life and a better shot at life, especially given the regimented dystopian society she lives in. The joys, sorrows, hopes, and disappointments of parenthood bring an emotional grounding to this story. They give the story its heart and make the environmental message a memorable one.


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Saturday, November 4, 2017

Young Jane Young

Title:  Young Jane Young
Author:  Gabrielle Zevin
Publication Information:  Algonquin Books. 2017. 320 pages.
ISBN:  1616205040 / 978-1616205041

Book Source:  I received this book as a publisher's galley through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "My dear friend Roz Horowitz met her new husband online dating."

Favorite Quote:  "Anticipating the worst doesn't provide insurance against the worst happening."

Young Jane Young dives into the world of politics, the seemy underside that often times wreaks havoc with lives. Rachel Shapiro is a mom, fierce in her love for her daughter but concerned about the choices her daughter makes and the consequences of those choices. Aviva Grossman is the young woman who falls in love with the wrong person and forever alters the course of her life. Embeth Levin is a wife who has to decide the balance between the good and the bad in her marriage. Jane Young is a woman content to leave her past far behind and live a quiet life in a small town in Maine. Ruby Young is the next generation, who draws the thread between past and present closed.

The book hits at serious issues of the gender divide that still exists in so many arenas but particularly in the world of politics. The story is about strong women who make compromises to live with the double standards and come around time and time again upon these inequitable gender standards.

A married man has an affair. The woman is shamed as having seduced him. A wife holds no expectations of fidelity. The young women caught in a political scandal is forced to build a new life after the headlines fade and move on to the next scandal. The secret of a woman's long ago past comes back to impact her current career.

This book is interesting because it is unexpected. The book is clearly focused on the women in the story even though the plot is all about the impact of their relationships with the men in their lives. The characters of the men, particularly the married politician at the heart of the scandal, are relatively one-dimensional and only present to give definition to the women's stories.

The story also begins in one direction and then takes a turn with every character. Just when I think I know where it is going, it brings in the impact on another person and tells another side of the story. Admittedly, the first half of the book is an adult perspective and the more interesting part of the book.

The entire section from the Ruby Young's perspective is a little too precocious for my taste. Ruby is young; yet, she helps her mother run her business, has her own American Express card, tells the story in letters to her pen pal, and has the confidence to take of on her own on a cross-country trip to find her past. Cute but a bit much. The ending winds back to an adult perspective and plays a game of "what if" which again brings the book back to the serious underlying issues.

The book is a quick, often light-hearted read that in its breezy manner leaves me with a lot to think about. "Because the things we don't have are sadder than the things we have. Because the things we don't have exist in our imagination, where they are perfect."


Please share your thoughts and leave a comment. I would love to "talk" to you.

Thursday, November 2, 2017

Understanding Color in Photography

Title:  Understanding Color in Photography: Using Color, Composition, and Exposure to Create Vivid Photos
Author:  Bryan Peterson and Susana Heide Schellenberg 
Publication Information:  Watson-Guptill. 2017. 144 pages.
ISBN:  0770433111 / 978-0770433116

Book Source:  I received this book through the Blogging for Books program free of cost in exchange for an honest review.

Opening Sentence:  "When I first launched my dream to be a professional photographer back in the 1970s, I began as most did at that time:  by shooting with the less expensive black-and-white films."

Favorite Quote:  "Your photographic vision, which comes from within, is vitally important to your art of image-making. As an artist, you take responsibility for your vision, you own the creative process; the creative process does not own you! Your vision is inside you and is shaped by many factors, not the least of which is your love of color."

A reader's perspective and background is crucial to understanding their review of any book. It is even more crucial in a review of an instructional book such as this one. I am an amateur photographer - a hobbyist. I shoot both with my phone which is always with me and with a larger DSLR camera and lenses whose intricacies I am still exploring.  I work in both color and black and white. My snapshots are of my family; they are more about capturing memories and the moment rather than photographic skill. My favorite subjects for exploring photographic skills are things in nature. One day, of course, my hope is to apply one to the other.

I first explored Bryan Peterson's teaching through online sources. Bryan Peterson is an accomplished photographer and the author of many books and the force behind a photography school. His books have long been resources of photographers looking to learn. This book is no different. Learning to See Creatively explored ideas on really seeing the world around you. This book explores the world of color:
  • evaluating the interplay between light, exposure, and color
  • using color in composition through ideas such as complementary vs. analogous vs. monochromatic colors, the weight of colors, and the color wheel.
  • understanding the psychology of color and using those ides for impact in photographs
  • using tools to enhance colors
Clearly, any book such as this one presents the author's philosophy on the subject. For example, the section on tools to enhance colors are relatively short and at the end of the book. Both the section on filters and photo editing begin with a statement that the author is not a fan of using tool. He does use them, but the preference is not to.

This book is not for the complete novice. It assumes an understanding of the terminology of photography - f-stop, ISO, white balance, shutter speed, and so on. However, it is also not equipment dependent. The ideas in the book can be used whether you have a camera which adjusts for all these settings or a point and shoot with automatic settings. The writing style of the book is also like a personal narrative or conversation (lots of you... and I....), making it more accessible to readers.

This book is both instruction manual and a spring board for inspiration. The setup of the sections is similar - text embedded in a multitude of photographs with each photograph specifying the technical setup of the shot and the story behind the shot. The full color photographs, of course, make this book. Just flipping through the book creates a rainbow of images to enjoy. The photographs are from around the world, but the subject matter is ordinary enough to be found in your own neighborhood - an orange, a street vendor, a bird, leaves, paint brushes, a match and its flame, for example. The key is not have great vistas to photograph but learning to seeing the beauty in the ordinary.

That perhaps is my favorite aspect of Bryan Peterson's books. He makes beautiful photography approachable and achievable. Putting it into play, of course, takes practice, but the inspiration is invaluable.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Wednesday, November 1, 2017

Pieces of Happiness

Title:  Pieces of Happiness
Author:  Anne Ostby
Publication Information:  Doubleday. 2017. 320 pages.
ISBN:  0385542801 / 978-0385542807

Book Source:  I received this book as a publisher's galley through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "My dear friend - Can I still call you that?"

Favorite Quote:  "Power lies in knowledge. Especially in deciding whether to use it."

From Norway to a cocoa plantation in Fiji. That is the path Kat's life has traveled in the forty years since she left high school, her family, her friends, and her home. She and her husband Niklas traveled the world from project to projects and in their sixties finally settled on the island of Fiji. Sadly, Niklas drowned, leaving Kat to carry on alone.

Now comes the improbable premise of this book. Kat reaches out to four girlfriends from high school - Ingrid, Lisbeth, Maya, and Sina. She has not seen these women since high school, and even at that time, not all friendships were stable. After all, it was high school. Anyways, Kat reaches out and invites the women to Fiji, not for a visit to reconnect but to live with her on her cocoa plantation. The premise stems from the fact that Kat spent the intervening forty years wandering the world and, other than her husband, formed no other lasting friendship. So, these high school friends still represent her core of friends.

Now comes the even more improbable aspect of this book. All four women say yes. All four remained in Norway after  high school, never venturing far from the homes they grew up in. All four created lives with careers, families, and friends. Yet, enough sadness exists in their lives for each one to say yes to such an invitation and to say yes to an opportunity to almost begin again.

Believable or not, you decide. Or suspend disbelief and go along to see what the story brings.

Beyond the unlikely premise, the story proceeds as you might expect. Each woman, including Kat, herself, brings all their baggage with them - the secrets, the successes, the fears, and the love accumulated over their sixty some years of life. Gradually, of course, the secrets old and new emerge, and paths forward emerge. Throughout this process, Kat's housekeeper Ateca serves as the "Greek chorus" of this book, offering commentary and clarification on how the reader should view the five women.

 What I expected to see explored further was the beautiful setting of Fiji. The book really does not paint a picture of the backdrop; the only point to be made is that it is so completely different from Norway. For its beautiful setting, the book is not a visual story; it is all about the characters, relationships, and emotions. The book does attempt to capture some of the culture of Fiji, particularly through Ateca's commentary as she attempts to help these newcomers traverse the traditions. At times, the commentary seems just that - commentary - rather than an integral part of the story; however, it is still fascinating to learn about a culture I don't know much about.

What I do enjoy about the book is that it focuses on some of the issues of aging - physical constraints, the need for companionship, the joy and struggle of children growing up, and the vital role of friendship. This books becomes about the past we carry with us, what we choose to hang on to, what we let go of for our own benefit, and what deserts us. That is the memory of this book that will stay with me.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Thursday, October 26, 2017

The Epiphany Machine

Title:  The Epiphany Machine
Author:  David Burr Gerrard
Publication Information:  G.P. Putnam's Sons. 2017. 432 pages.
ISBN:  039957543X / 978-0399575433

Book Source:  I received this book through the Penguin First to Read program free of cost in exchange for an honest review.

Opening Sentence:  "The epiphany machine will not discover anything bout you that you do not, in some way, already know."

Favorite Quote:  "Almost anything could be tattooed on my arm and I would recognize it as a murmuring from the deepest part of my soul, because at some point or other I've wanted everything. I've wanted to be everyone. There have even been rare occasions when I have wanted what I am supposed to want and have wanted to be what I am supposed to want to be ... That's the entire reason the machine seems to work; anything that you can claim is in somebody's head has probably been there at some point. People feel a shock of recognition at the truth, but they feel a shock of recognition at a lot of other things, too."

Some books reach out and grab you. Some books leave you at the end untouched. Then, there are the few that just sit. Usually, I read a book in a couple of days either if I am engrossed or if I just want to get to the end. Rarely, I encounter a book that sits on my nightstand for days or weeks. I pick it up and put it down. I restart it. I pick it up and put it down. I eventually finish, but it takes a while. The Epiphany Machine became one of those books.

The premise of the book sounds wonderful and grapples with philosophical questions. A machine exists that that will tattoo on your arm a truth about you. Do you want to know? Do you perhaps already know what the machine will write?

The perspective in the book is mostly from the viewpoint of Venter Lockwood. He is a child at the beginning of the book; both his parents have used the machine. His father's tattoo reads, "Should never become a father," and his mother's tattoo reads, "Abandons what matters most." Both tattoos impact Venter's life because how could words like that taken at face value not impact a child The question I expect to see explored is whether the epiphany machine is a self-fulfilling prophecy. Does the machine write what is embedded in a an individual or does the writing cause the person to believe that about themselves and make decisions in that light, forever altering the course of their lives? What is the ripple effect of these decisions on the people who surround them?

The book doesn't quite go in that direction. It seems to turn more in a way to explore history through the lens of the epiphany machine. What might have been the tattoo on the arms of historical figures? What is the cultural phenomenon of the epiphany machine? Why do people want to know? What are they hoping to gain? Again, intriguing questions.

The book does not quite commit in that direction either as the story narrows down to Venter and his life and to a memoir like approach to his search for his own history and the history of his parents with the epiphany machine. The story follows him from childhood to middle age. It is here that the book gets bogged down. Venter is neither a likable nor a really interesting character. His story also gets into entirely unnecessary graphic descriptions of personal encounters. Unfortunately, his story ultimately finds not a defining moment or closure. Is his life defined by the revelations of the epiphany machine? Is his life defined by the fact that he gives meaning to these revelations? Is there indeed truth in the machine or is belief what drives its success?

For many, the word "epiphany" has religious meaning. The word itself can also mean "a moment of sudden revelation or insight" however that insight may manifest itself. I suppose that is what I expected from this book - a moment where it all comes together, where it perhaps leaves a life lesson, or where it perhaps has a dramatic pause. Unfortunately, although the book probes a wide array of intriguing questions, that epiphany never comes.


Please share your thoughts and leave a comment. I would love to "talk" to you.