The History of Bees

Title:  The History of Bees

Author:  Maja Lunde

Publication Information:  Touchstone. 2017. 352 pages.

ISBN:  1501161377 / 978-1501161377

Book Source:  I received this book as a publisher's galley through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "Like oversized birds, we balanced on our respective branches, each of us with a plastic container in one hand and a feather brush in the other."

Favorite Quote:  "But first and foremost the knowledge made me richer. Richer than the other children. I was not beautiful, not athletic, not good with my hands or strong. I could not excel in any other fields. In the mirror an awkward girl stared back at me. The eyes were a little too small, the nose a little too big. The ordinary face revealed nothing about what she was carrying - something golden, something that made every single day worth living. And that could be a means of getting away."

Three time periods. Three parents and their children. Three families and their struggle for survival. And the bees or the lack of bees.

Years ago, I read A Secret Life of Bees by Sue Monk Kidd. A few years ago, I read a book titled The Bees by Laline Paull. Recently, environmental news has been full of articles about bees dying and the devastating effects that could have on our world. All of this reading has left an impact. So, when I saw a book titles The History of Bees, I flew at the chance to read it.

This book is fiction, of course. It is and is not a history of bees. Most of the book is like reading three independent stories in three completing different time periods and settings. What ties them together is the bees. In the 1850s in England, there is William, a biologist and a man who is trying unsuccessfully to make his mark on science. In 2007 in the United States, there is George, a beekeeper who is trying to keep his family business going in the face of economic, environmental, and familial adversity. In 2098 in China, there is Tao, a human pollinator who does the work of bees and who would do anything for her only child Wei-Wen.

The book alternates between the three time and three points of view. At the beginning, that makes the book a challenge, keeping the time lines and characters straight and trying to guess at the link between the three. Soon, however, that ceases to matter as the stories take over. The progression is effectively handled so that when the conclusion and connections come full circle, it seems like a natural outcome.

Throughout the book, you know the stories connect and you know the connection is the bees, but the how and the why does not become clear until the "a-ha" moments until the end. However, that does not matter. The three stories themselves are engrossing with developed main characters that I feel for. The writing evokes vivid images of these three completely different worlds.

Of course, the book makes its environmental and political statement. With such a topic, I expect it. However, this book accomplishes that in a natural way within the context of the story rather than a moralistic statement that happens to be couched in a story.

The parallel and equally important theme in this book is the bond between parent and child. William is disappointed in his son Edward and for a long time, does not see the potential in his daughters, particularly Charlotte. George and his son Tom are somewhat estranged as Tom's dreams lead away from the family business and George cannot envision a future with no one to carry on the family legacy. Tao spends every waking moment thinking of how to give her toddler son a better life and a better shot at life, especially given the regimented dystopian society she lives in. The joys, sorrows, hopes, and disappointments of parenthood bring an emotional grounding to this story. They give the story its heart and make the environmental message a memorable one.

Please share your thoughts and leave a comment. I would love to "talk" to you.

Young Jane Young

Title:  Young Jane Young

Author:  Gabrielle Zevin

Publication Information:  Algonquin Books. 2017. 320 pages.

ISBN:  1616205040 / 978-1616205041

Book Source:  I received this book as a publisher's galley through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "My dear friend Roz Horowitz met her new husband online dating."

Favorite Quote:  "Anticipating the worst doesn't provide insurance against the worst happening."

Young Jane Young dives into the world of politics, the seemy underside that often times wreaks havoc with lives. Rachel Shapiro is a mom, fierce in her love for her daughter but concerned about the choices her daughter makes and the consequences of those choices. Aviva Grossman is the young woman who falls in love with the wrong person and forever alters the course of her life. Embeth Levin is a wife who has to decide the balance between the good and the bad in her marriage. Jane Young is a woman content to leave her past far behind and live a quiet life in a small town in Maine. Ruby Young is the next generation, who draws the thread between past and present closed.

The book hits at serious issues of the gender divide that still exists in so many arenas but particularly in the world of politics. The story is about strong women who make compromises to live with the double standards and come around time and time again upon these inequitable gender standards.

A married man has an affair. The woman is shamed as having seduced him. A wife holds no expectations of fidelity. The young women caught in a political scandal is forced to build a new life after the headlines fade and move on to the next scandal. The secret of a woman's long ago past comes back to impact her current career.

This book is interesting because it is unexpected. The book is clearly focused on the women in the story even though the plot is all about the impact of their relationships with the men in their lives. The characters of the men, particularly the married politician at the heart of the scandal, are relatively one-dimensional and only present to give definition to the women's stories.

The story also begins in one direction and then takes a turn with every character. Just when I think I know where it is going, it brings in the impact on another person and tells another side of the story. Admittedly, the first half of the book is an adult perspective and the more interesting part of the book.

The entire section from the Ruby Young's perspective is a little too precocious for my taste. Ruby is young; yet, she helps her mother run her business, has her own American Express card, tells the story in letters to her pen pal, and has the confidence to take of on her own on a cross-country trip to find her past. Cute but a bit much. The ending winds back to an adult perspective and plays a game of "what if" which again brings the book back to the serious underlying issues.

The book is a quick, often light-hearted read that in its breezy manner leaves me with a lot to think about. "Because the things we don't have are sadder than the things we have. Because the things we don't have exist in our imagination, where they are perfect."

Please share your thoughts and leave a comment. I would love to "talk" to you.

Understanding Color in Photography

Title:  Understanding Color in Photography: Using Color, Composition, and Exposure to Create Vivid Photos

Author:  Bryan Peterson and Susana Heide Schellenberg 

Publication Information:  Watson-Guptill. 2017. 144 pages.

ISBN:  0770433111 / 978-0770433116

Book Source:  I received this book through the Blogging for Books program free of cost in exchange for an honest review.

Opening Sentence:  "When I first launched my dream to be a professional photographer back in the 1970s, I began as most did at that time:  by shooting with the less expensive black-and-white films."

Favorite Quote:  "Your photographic vision, which comes from within, is vitally important to your art of image-making. As an artist, you take responsibility for your vision, you own the creative process; the creative process does not own you! Your vision is inside you and is shaped by many factors, not the least of which is your love of color."

A reader's perspective and background is crucial to understanding their review of any book. It is even more crucial in a review of an instructional book such as this one. I am an amateur photographer - a hobbyist. I shoot both with my phone which is always with me and with a larger DSLR camera and lenses whose intricacies I am still exploring.  I work in both color and black and white. My snapshots are of my family; they are more about capturing memories and the moment rather than photographic skill. My favorite subjects for exploring photographic skills are things in nature. One day, of course, my hope is to apply one to the other.

I first explored Bryan Peterson's teaching through online sources. Bryan Peterson is an accomplished photographer and the author of many books and the force behind a photography school. His books have long been resources of photographers looking to learn. This book is no different. Learning to See Creatively explored ideas on really seeing the world around you. This book explores the world of color:

• evaluating the interplay between light, exposure, and color
• using color in composition through ideas such as complementary vs. analogous vs. monochromatic colors, the weight of colors, and the color wheel.
• understanding the psychology of color and using those ides for impact in photographs
• using tools to enhance colors

Clearly, any book such as this one presents the author's philosophy on the subject. For example, the section on tools to enhance colors are relatively short and at the end of the book. Both the section on filters and photo editing begin with a statement that the author is not a fan of using tool. He does use them, but the preference is not to.

This book is not for the complete novice. It assumes an understanding of the terminology of photography - f-stop, ISO, white balance, shutter speed, and so on. However, it is also not equipment dependent. The ideas in the book can be used whether you have a camera which adjusts for all these settings or a point and shoot with automatic settings. The writing style of the book is also like a personal narrative or conversation (lots of you... and I....), making it more accessible to readers.

This book is both instruction manual and a spring board for inspiration. The setup of the sections is similar - text embedded in a multitude of photographs with each photograph specifying the technical setup of the shot and the story behind the shot. The full color photographs, of course, make this book. Just flipping through the book creates a rainbow of images to enjoy. The photographs are from around the world, but the subject matter is ordinary enough to be found in your own neighborhood - an orange, a street vendor, a bird, leaves, paint brushes, a match and its flame, for example. The key is not have great vistas to photograph but learning to seeing the beauty in the ordinary.

That perhaps is my favorite aspect of Bryan Peterson's books. He makes beautiful photography approachable and achievable. Putting it into play, of course, takes practice, but the inspiration is invaluable.

Please share your thoughts and leave a comment. I would love to "talk" to you.

Pieces of Happiness

Title:  Pieces of Happiness

Author:  Anne Ostby

Publication Information:  Doubleday. 2017. 320 pages.

ISBN:  0385542801 / 978-0385542807

Book Source:  I received this book as a publisher's galley through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "My dear friend - Can I still call you that?"

Favorite Quote:  "Power lies in knowledge. Especially in deciding whether to use it."

From Norway to a cocoa plantation in Fiji. That is the path Kat's life has traveled in the forty years since she left high school, her family, her friends, and her home. She and her husband Niklas traveled the world from project to projects and in their sixties finally settled on the island of Fiji. Sadly, Niklas drowned, leaving Kat to carry on alone.

Now comes the improbable premise of this book. Kat reaches out to four girlfriends from high school - Ingrid, Lisbeth, Maya, and Sina. She has not seen these women since high school, and even at that time, not all friendships were stable. After all, it was high school. Anyways, Kat reaches out and invites the women to Fiji, not for a visit to reconnect but to live with her on her cocoa plantation. The premise stems from the fact that Kat spent the intervening forty years wandering the world and, other than her husband, formed no other lasting friendship. So, these high school friends still represent her core of friends.

Now comes the even more improbable aspect of this book. All four women say yes. All four remained in Norway after  high school, never venturing far from the homes they grew up in. All four created lives with careers, families, and friends. Yet, enough sadness exists in their lives for each one to say yes to such an invitation and to say yes to an opportunity to almost begin again.

Believable or not, you decide. Or suspend disbelief and go along to see what the story brings.

Beyond the unlikely premise, the story proceeds as you might expect. Each woman, including Kat, herself, brings all their baggage with them - the secrets, the successes, the fears, and the love accumulated over their sixty some years of life. Gradually, of course, the secrets old and new emerge, and paths forward emerge. Throughout this process, Kat's housekeeper Ateca serves as the "Greek chorus" of this book, offering commentary and clarification on how the reader should view the five women.

 What I expected to see explored further was the beautiful setting of Fiji. The book really does not paint a picture of the backdrop; the only point to be made is that it is so completely different from Norway. For its beautiful setting, the book is not a visual story; it is all about the characters, relationships, and emotions. The book does attempt to capture some of the culture of Fiji, particularly through Ateca's commentary as she attempts to help these newcomers traverse the traditions. At times, the commentary seems just that - commentary - rather than an integral part of the story; however, it is still fascinating to learn about a culture I don't know much about.

What I do enjoy about the book is that it focuses on some of the issues of aging - physical constraints, the need for companionship, the joy and struggle of children growing up, and the vital role of friendship. This books becomes about the past we carry with us, what we choose to hang on to, what we let go of for our own benefit, and what deserts us. That is the memory of this book that will stay with me.

Please share your thoughts and leave a comment. I would love to "talk" to you.

The Epiphany Machine

Title:  The Epiphany Machine

Author:  David Burr Gerrard

Publication Information:  G.P. Putnam's Sons. 2017. 432 pages.

ISBN:  039957543X / 978-0399575433

Book Source:  I received this book through the Penguin First to Read program free of cost in exchange for an honest review.

Opening Sentence:  "The epiphany machine will not discover anything bout you that you do not, in some way, already know."

Favorite Quote:  "Almost anything could be tattooed on my arm and I would recognize it as a murmuring from the deepest part of my soul, because at some point or other I've wanted everything. I've wanted to be everyone. There have even been rare occasions when I have wanted what I am supposed to want and have wanted to be what I am supposed to want to be ... That's the entire reason the machine seems to work; anything that you can claim is in somebody's head has probably been there at some point. People feel a shock of recognition at the truth, but they feel a shock of recognition at a lot of other things, too."

Some books reach out and grab you. Some books leave you at the end untouched. Then, there are the few that just sit. Usually, I read a book in a couple of days either if I am engrossed or if I just want to get to the end. Rarely, I encounter a book that sits on my nightstand for days or weeks. I pick it up and put it down. I restart it. I pick it up and put it down. I eventually finish, but it takes a while. The Epiphany Machine became one of those books.

The premise of the book sounds wonderful and grapples with philosophical questions. A machine exists that that will tattoo on your arm a truth about you. Do you want to know? Do you perhaps already know what the machine will write?

The perspective in the book is mostly from the viewpoint of Venter Lockwood. He is a child at the beginning of the book; both his parents have used the machine. His father's tattoo reads, "Should never become a father," and his mother's tattoo reads, "Abandons what matters most." Both tattoos impact Venter's life because how could words like that taken at face value not impact a child The question I expect to see explored is whether the epiphany machine is a self-fulfilling prophecy. Does the machine write what is embedded in a an individual or does the writing cause the person to believe that about themselves and make decisions in that light, forever altering the course of their lives? What is the ripple effect of these decisions on the people who surround them?

The book doesn't quite go in that direction. It seems to turn more in a way to explore history through the lens of the epiphany machine. What might have been the tattoo on the arms of historical figures? What is the cultural phenomenon of the epiphany machine? Why do people want to know? What are they hoping to gain? Again, intriguing questions.

The book does not quite commit in that direction either as the story narrows down to Venter and his life and to a memoir like approach to his search for his own history and the history of his parents with the epiphany machine. The story follows him from childhood to middle age. It is here that the book gets bogged down. Venter is neither a likable nor a really interesting character. His story also gets into entirely unnecessary graphic descriptions of personal encounters. Unfortunately, his story ultimately finds not a defining moment or closure. Is his life defined by the revelations of the epiphany machine? Is his life defined by the fact that he gives meaning to these revelations? Is there indeed truth in the machine or is belief what drives its success?

For many, the word "epiphany" has religious meaning. The word itself can also mean "a moment of sudden revelation or insight" however that insight may manifest itself. I suppose that is what I expected from this book - a moment where it all comes together, where it perhaps leaves a life lesson, or where it perhaps has a dramatic pause. Unfortunately, although the book probes a wide array of intriguing questions, that epiphany never comes.

Please share your thoughts and leave a comment. I would love to "talk" to you.

Sourdough

Title:  Sourdough

Author:  Robin Sloan

Publication Information:  MCD. 2017. 272 pages.

ISBN:  0374203105 / 978-0374203108

Book Source:  I received this book as a publisher's galley through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "It would have been nutritive gel for dinner, same as always, if I had not discovered stuck to my apartment's front door a paper menu advertising the newly expanded delivery service of a neighborhood restaurant."

Favorite Quote:  "Here's a a thing I believe about people my age:  we are the children of Hogwarts, and more than anything, we just want to be sorted."

The mention of sourdough bread conjures up a smell and a taste, perhaps even a memory. The mention of bread conjures up images of hearths, homes, and warmth. This book takes those mental images and places them in the context of a post-modern futuristic world of genetically engineered food products, robots, and business intrigue. This book then takes this incongruous combination and places it in the sometimes beautiful and sometimes concrete industrial jungle of what seems to be present day San Francisco Bay.

Lois Clary is a worker at a company called General Dexterity. "At General Dexterity, I was contributing to an effort to make repetitive labor obsolete ... In other words, you solved a problem once, and then you moved on to more interesting things." Lois works on robot arms on a quest to forever improve the efficiency of repetitive motion tasks.

She goes to work. She comes home. She goes to work. She comes home. She goes to work. She comes home. Her life is a repetitive motion. She does not seem to have much in terms of family, friends, or other life other than the Lois Club of San Francisco. Yes, this is a club of women named Lois with chapters around the world apparently.

A brochure left in her apartment door brings escape in the form of food - spicy soup and bread from Clement Street Soup and Sourdough, a place that delivers. This soup and bread becomes Lois' sustenance both physically and emotionally. She in turn becomes the restaurant's Number One Eater.

Then, disaster strikes as the operators of the restaurant are forced to leave the country because of visa issues. They leave Lois with a gift - directions, kitchen utensils, and their very own, very old sourdough starter. Their one request is for Lois to keep the starter alive. It'll be easy, they say.

What is a girl who codes robots for a living and does not cook supposed to do with that? So begins Lois' adventures into baking, the world of science and food, the collaborative and competitive realities of artisan food vendors. "Baking, by contract, was solving the same problem over and over again, because every time, the solution was consumed. I mean, really:  chewed and digested."

The twists and turns in this book lead in some eccentric directions, but somehow it - singing bread starters, underground farmer's markets, scientifically engineered nutrition gone haywire - all works. The whole things is all together bizarre, but somehow it all forms a cohesive whole story I want to keep reading.

Some of the futuristic developments have me laughing with the eccentricities of the science and the characters. These element add a surreal touch to the entire book. Lois' story, however, has me caring as this chance encounter leads her down a path she could never have imagined and as she becomes the woman she never dreamt possible.

Robin Sloan's first book, Mr. Penumbra's 24-Hour Bookstore is a similar mix of old and new, technology and traditional tale set in San Francisco. Both books successfully create an intriguing fanciful world full of charm and adventure. The first book reaffirmed my love affair with bookstores. This one leaves me with an urge to start baking again.

Please share your thoughts and leave a comment. I would love to "talk" to you.

How to Behave in a Crowd

Title:  How to Behave in a Crowd

Author:  Camille Bordas

Publication Information:  Tim Duggan Books. 2017. 336 pages.

ISBN:  0451497546 / 978-0451497543

Book Source:  I received this book through the Penguin First to Read program free of cost in exchange for an honest review.

Opening Sentence:  "There was a darker brown stain on our brown suede couch."

Favorite Quote:  "when people talk about love, Dory, they call it love because it is a festive word, like champagne. You hear the cork pop just saying champagne. But what they're really talking about when they say love is attachment, its, which are, admittedly, less glamorous words. And when they say you only love once ... they don't mean it in a cheesy romantic way or anything you now? It's very practical, in fact:  there is no time in life to get to know and ... tie yourself to more than one person."

I am not quite sure what to make of this book. I am undecided if the book lost something in the translation, or somehow, I just do not see the point. I get the premise, but I don't really get the book.

The book description calls the book "an absorbing, darkly comedic novel that brilliantly evokes the confusions of adolescence." Clearly, I am not the reader for this book for I miss the humor and the entire idea of a coming of age story.

Isidore "Dory" Mazal is the youngest of six siblings, growing up in a small town outside of Paris. His mother is the parent present along with the man they call "the father" who seems to travel a lot. Dory's siblings, all in their own way, are brilliant. They have skipped grades, are about to get their doctorates, are on the brink of fame, or are otherwise spectacular in some way (if only in their own vision of themselves). Dory, who is eleven as the book opens, is none of these things especially in his own vision of himself.

When tragedy strikes the family, Dory finds his strength - or so the premise of the book states. It more like Dory discovers that even the spectacular older siblings and the adults in his life are perhaps as lost as he is. The tragedy and its aftermath is, of course, part and parcel of Dory's growing up. Coming of age stories, particularly in the face of tragedy, can be touching and sweet. This one is not. When a book describes the sex-life of a twelve year old as if it is the most natural thing, I am done. I am clearly not the reader for the book.

Dory's other main line of thought is the idea of running away. Many adolescents (dare I say, even adults) contemplate running away. However, Dory actually does at times and seems none the worse for wear. Again, the tone is casual and nonchalant as if none of it matters.  This seeming lack of emotion in what is a challenging time for a family and a challenging time for an adolescent is probably the biggest stumbling block for me as a reader.

This book is filled with what the description calls quirky characters. Unfortunately, for me, quirky goes too far as to be the story of a dysfunctional family with characters that are not necessarily likable or unlikable. Sadly, either reaction would be better than the fact that for me, they elicit no interest or reaction at all. I am left with a sensation that I missed some connection.

The tragedy that is the heart of this book is casually announced in a single sentence. That's it. Not funny. Not sad. Not anything at all. I almost miss the announcement the first time through. I find myself rereading the page before and the page after for something more. What occurs should elicit sympathy for this family and particularly for this little boy but sadly elicits no reaction at all.

Overall, I am trying to explain my reaction to this book and struggling to put it into words. Honestly, that is because I walk away with just the idea that I missed something.

Please share your thoughts and leave a comment. I would love to "talk" to you.