Showing posts sorted by date for query kristin hannah. Sort by relevance Show all posts
Showing posts sorted by date for query kristin hannah. Sort by relevance Show all posts

Monday, March 3, 2025

The Women

The Women by Kristin Hannah
Title:
  The Women
Author:  Kristin Hannah
Publication Information:  St. Martin's Press. 2024. 480 pages.
ISBN:  1250178630 / 978-1250178633

Rating:   ★★★★★

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "The walled and gated McGrath estate was a world onto itself, protected and private."

Favorite Quote:  "We were the last believers, my generation. We trusted what our parents taught us about myth of equality and justice and honor. I wonder if any generation will ever believe again. People will say it was the war that shattered our lives and laid bare the beautiful lie we'd been taught. And they'd be right. And wrong. There was so much more. It's hard to see clearly when the world is angry and divided and you're being lied to."

I love Kristin Hannah's writing for the focus it brings on strong female characters set in a historical context. Many of her books center around World War II. The Four Winds brought us to the depression era. The Great Alone travelled to Alaska. This book brings us to the Vietnam War.

Vietnam. The very word conjures up images of our nation's history, of those who made the ultimate sacrifice, of those who came home only to find that home had changed, of those who still to this day may receive the honor and services they need as veterans of United States Armed Forces.

Until this book, however, I  have not seen much of the history of or read any stories of the women who served in Vietnam. According to a note in the book, "According to the Vietnam Women's Memories Foundation statement, approximately 10,000 American military women were stations in Vietnam during the war." However, the history and even the veteran services now do not highlight the women.

This book tells the story of the women through Frankie McGrath's eyes. She volunteers for the Army Nurse Corp. The book follows Frankie through the events that lead her to volunteer, the tours of duty she serves, her return, and the challenges of her life after the war as a veteran.  As with other Kristin Hannah books, the one covers a lot of ground, incorporating a multitude of challenges and issued faced by these women - as women, as soldiers, as survivors, and as veterans.

Through Frankie's eyes, we travel the same path:
  • "War looked one way for those who saw it from a safe distance. Close up, the view was different."
  • "You survived a day at a time, however, you could."
  • "Some things don't bear the weight of words."
  • "And there it was: remembrance mattered She knew that now; there was no looking away from ware or from the past, no soldiering on through pain.. It started here. Now By speaking  up, standing in the sunlight, coming together, demanding honesty and truth. Taking pride. The women had a story to tell, even if the world wasn't ready to hear it, and their story began with three simple words. We were there."
The book is emotional as you might expect. Frankie's voice resonates through the entire story. I find myself looking up the history that authenticates the story told. This book is not a conversation about the right or the wrong of the Vietnam War. It is rather the story of those who served when called upon by their county. "I'm starting to wonder about it myself. But can't they support the warriors and hate the war. Our men are dying every day in service of their country. Doesn't that matter anymore." Frankie is a memorable character telling a memorable story.

To all the warriors... Thank you for your service.


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Wednesday, November 6, 2024

The Berlin Apartment

The Berlin Apartment by Bryn Turnbull
Title:
  The Berlin Apartment
Author:  Bryn Turnbull
Publication Information:  MIRA. 2024. 352 pages.
ISBN:  0778305503 / 978-0778305507

Rating:   ★★★

Book Source:  I received this book through NetGalley and a publisher's blog tour free of cost in exchange for an honest review.

Opening Sentence:  "My darling Ali, The world can change in the space of a heartbeat."

Favorite Quote:  "She'd always thought of a revolution as a violent, bloody thin - a cleansing fire, righteously burning as it devoured the core of a fetid, unjust regime. But tonight felt more like fireworks than fire: peaceful and beautiful but no less a revolution."

BLOG TOUR


Review

It is the 1960s. World War II is long over, but new tensions build. Uli is from West Berlin. Lise is from East Berlin. They meet at a university in West Berlin. They meet. They fall in love. They get engaged. Lise gets pregnant. All is well until it isn't. Lise goes home, and then she cannot return to West Berlin. A wall now divides them. What to do? How to make the authorities understand that they belong together. They are not married. They have no paperwork showing their relationship. Just love and an unborn child.

As the book description suggest, Uli and his friends come up with a plan to save Lise, but "weeks turn to months." This is a story of that plan and the time that Uli and Lise spend apart and the stories of those who surround them - both friend and foe.

I have read many books about the war, but very little about this time period in this place. It is a sad and frightening introduction to this history. Uli's plan to rescue Lise picks up on a part of this history. West and East Berlin are not separated by distance. A wall and a no-entry zone stand between Uli and Lise. History actually tells us of the different ways people tried to escape, including trying to tunnel under the area. (This is revealed fairly early in the book. So, I don't feel it's a spoiler).

Surrounding the escape plan are the people surrounding Uli and Lise. Lise's family, who loves her but some of who believe in the goals and ideals of East Germany. Uli's friends, who join the effort, for their own reasons and their families. Individuals who love Uli and Lise and offer a compromise in life. Uli and Lise themselves as their love is tested by time, distance, and the need to survive. Some of the side characters are memorable, perhaps even more so than Uli and Lise themselves.

Through all these eyes, the challenges of the time and place come to life. The romance and the love freely given in the book is sweet and anchors the book, but it is the picture of the Cold War Berlin that will stay with me.

The ending of the books brings the story full circle and ties up loose ends. I find that surprising as history tells us that many would have been and were lost and not all struggles were resolved. It is the ending dictated by the romance perhaps rather than the history.

Nevertheless, I appreciate this book for the reason I read historical fiction. It introduces me to and teaches about history I may not otherwise have learned.

About the Book

“Wholly immersive and impeccably researched, Bryn Turnbull’s tale brings the time vividly to life.” —Toronto Star on The Paris Deception

For fans of Kate Quinn and Kristin Hannah, this sweeping love story follows a young couple whose lives are irrevocably changed when they’re separated overnight by the construction of the Berlin Wall.

Berlin 1961: When Uli Neumann proposes to Lise Bauer, she has every reason to accept. He offers her love, respect, and a life beyond the strict bounds of the East German society in which she was raised — which she longs to leave more than anything. But only two short days after their engagement, Lise and Uli are torn violently apart when barbed wire is rolled across Berlin, splitting the city into two hostile halves: capitalist West Berlin, an island of western influence isolated far beyond the iron curtain; and the socialist East, a country determined to control its citizens by any means necessary.

Soon, Uli and his friends in West Berlin hatch a plan to get Lise and her unborn child out of East Germany, but as distance and suspicion bleed into their lives and as weeks turn to months, how long can true love survive in the divided city?

About the Author

BRYN TURNBULL is the internationally bestselling author of The Woman Before Wallis. Equipped with a master of letters in creative writing from the University of St. Andrews, a master of professional communication from Ryerson University and a bachelor's degree in English literature from McGill University, Bryn focuses on finding stories of women lost within the cracks of the historical record. She lives in Toronto.

Excerpt

Excerpt from The Berlin Apartment by Bryn Turnbull. Copyright © 2024 by Bryn Turnbull. Published by MIRA.

4

13 AUGUST, 1961

Uli stared out his apartment window, his pulse beating wildly in his ears. Seven stories below, a tangle of concertina wire ran the length of Bernauer Strasse, bisecting East Berlin from West: onlookers on both sides of the wire watched, muttering, as green-uniformed Grenztruppen, separated from the East German citizenry by a line of Volkspolizei, jackhammered the cobbles to fix stakes into the ground and carted in more spools of barbed wire, rolling it out with gloved hands.

Was it war? He studied the faces of the border guards, searching for an indication of panic, of fear, but they looked measured and resolute. Was it a planned operation, then? A provocation?

He needed to find Lise. He pulled on a shirt and trousers and descended into the fray.

Outside, the sound of jackhammers was a relentless snarl that drowned out the fury of Berliners on both sides of the wire, shouting their ire. In the East, a mishmash of soldiers—police officers and border guards and members of the People’s National Army—stood with their backs to the west, shoulder to shoulder, as guards hammered stakes in place.

“Uli!”

He wrenched his attention away from the barbed wire to see Jurgen’s stocky, sandy-haired figure. “Have you spoken to Lise?”

Uli shook his head: across the street, a scrum of people had formed around a nearby telephone box. “I only just came outside. I’m still trying to piece together… What’s going on?”

“Ulbricht’s sealed the border.”

“Sealed it?”

“Yeah.” Jurgen bit his lip, and Uli knew that he was thinking of his family, his brother and sister-in-law and niece, living in Bernau. “People kept saying he was going to do something, but I never thought…” He trailed off. “You’ve not seen Lise?”

“Not since Friday.” Uli searched for a higher vantage point— a bench, the bonnet of a car—and gestured for Jurgen to follow him toward a rusting Mercedes, parked on the opposite side of the road. “Have you spoken to your brother?”

“I tried telephoning Karl, but they’ve cut the wires. I heard they’ve sealed off the U-Bahn and S-Bahn as well… I don’t think anyone can make contact.”

Uli jumped onto the bonnet of the Mercedes. What purpose did it serve to cut the telephone lines? He gave Jurgen his hand and tugged him up on top of the car: from here, they could see past the guards and jackhammers to the bewildered East Berliners beyond.

“Lise was out of town, wasn’t she?” Jurgen muttered. In the empty streets beyond Bernauer Strasse, Soviet tanks rolled in and out of view in the direction of Brandenburg Gate: Where was the answering military presence from the West? He turned, hoping to see British or American troops: on a far-off corner, a pair of French soldiers watched the growing crowd but made no attempt to move closer. Surely, they had to intervene?

Uli turned back to the barbed wire and his heart lurched: there, coming down Brunnenstrasse, was Lise. He shouted her name and waved to catch her attention: she turned and lifted her arm in response.

Uli leaped down from the car and made his way toward the wire. He muscled past men and women with Jurgen in his wake, rising onto his toes to keep Lise in his sights.

A shout rang up behind him—“Fascists!”—and the crowd surged forward. He stumbled, and a West Berlin police officer caught him before he hit the ground.

“Watch yourself.”

Uli straightened. “My fiancĂ©e. She’s in the East,” he began, hearing in his voice the panic he was trying, and falling, to quell. On the opposite side of the wire, Lise was pushing forward too, her pale head visible as she tried to reason with a Grenztruppe. “I need to speak with her, if you could just let me through, she’s right there—”

The officer’s expression was pitying and fearful in equal measure. “I have my orders. No one is to approach the barrier,” he said. Across the wire, a second Grenztruppe turned his head, listening to their conversation over his shoulder. “They’re operating within East Berlin, we have no jurisdiction to intervene—”

“They’re tearing the city apart!” Uli shouted, his rational mind reeling against the sheer absurdity of what was in front of him. He took another step, searching for a break in the wire. “If I could just talk to her—”

The officer’s grip on Uli’s arms was mercilessly hard. “If you want to start the next world war, keep going,” he hissed, before shoving Uli back. “There’s nothing I can do, mate. Take it up with Walter Ulbricht.”

He stumbled into Jurgen, trembling with a rage he’d never felt: an impotence, a helplessness that he’d not experienced since he was a boy.

“Easy…this might only be temporary,” Jurgen said, his hand steady on Uli’s shoulder. “We ought to go to Brandenburg Gate. We might learn more about what this is—there will be reporters, politicians—”

On the other side of the wire, he watched as Lise’s own attempts to reason with a border guard failed: she stepped back, looking distraught. “If Ulbricht really is sealing the border, we need to act now. We need to find a way to get to Lise—bring her across—”

“I know.”

Uli broke off midsentence, wrenching his eyes away from Lise. Jurgen stared at him, resolute, and his steadiness gave ground to Uli’s panic, helped him think beyond his own fear, his own anger.

“We need to act now, but whatever we do, it can’t be here,” Jurgen continued. He was right: they couldn’t push through, not here, where there were so many people, so many sets of eyes. “We find a break in the wire—a gap…” “They can’t be everywhere all at once,” Uli said. “Further along,” Jurgen whispered back, and Uli’s heart quickened. Across the wire, Lise stared at him, and he jerked his head, knowing that Lise would understand—she nodded, and melted back into the crowd.

“C’mon,” he muttered, and he and Jurgen took off down the street.

Buy Links

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Social Links

Author Website
Instagram: https://www.instagram.com/brynturnbullwrites/?hl=en
X: https://x.com/brynturnbull
Facebook: https://www.facebook.com/brynturnbullwrites/
Goodreads: https://www.goodreads.com/author/show/19389611.Bryn_Turnbull


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Thursday, July 29, 2021

The Four Winds

Title:
  The Four Winds
Author:  Kristin Hannah
Publication Information:  St. Martin's Press. 2021. 464 pages.
ISBN:  1250178606 / 978-1250178602

Book Source:  I received this book through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "Hope is a coin I carry: an American penny, given to me by a man I came to love."

Favorite Quote:  "My grandfather was a Texas Ranger. He used to tell me that courage was a lie. It was just fear that you ignored."

The Four Winds is a story of the Depression. It is a story of the dust bowl. It is a story of being an immigrant in one's own homeland. It is a story of being made to feel the other. It is a story of poverty. It is a story of unionization. It is a story of prejudice. It is a story of the elusive American Dream. "The four winds have blown us here, people from all across the country, to the very edge of this great land, and now, at last, we make our stand, fight for what we know to be right. We fight for our American dream, that it will be possible again."

Through it all, this book is the story of one girl - Elsa Wolcott - who is forced to grow up way too soon and whose struggles reach far beyond what she could ever have imagined. An unplanned pregnancy leads to a quick, too-young wedding. A marriage leads to the love of a family but also to responsibilities born alone. Poverty and desperation and the love of children leads to an unimaginable journey in search of a better life. The better life proves elusive, and the struggle continues. That is the plot of Elsa Wolcott's story.

The real story is the woman Elsa becomes, facing challenge after challenge:
  • "She'd learned how to disappear in place long ago. She was like one of those animals whose defense mechanism, was to blend into the landscape and become invisible. It was her way of dealing with rejection: Say nothing and disappear. Never fight back."
  • "...it turned out that a parent's disapproval was a powerful, lingering voice that shaped and defined one's self-image."
  • "Poverty was a soul-crushing thing. A cave that tightened around your, its pinprick of light closing a little more at the end of each desperate, unchanged day."
  • "Survival took grit and courage and effort. It was too easy to give in. No matter how afraid she was, she had to teach her children every day  how to survive."
Beyond the personal story, the bigger story is the history of this nation - the depths of the Depression and the Dust Bowl and, even more so, the depth of prejudice and hate that turns American against American. Oddly (because I do not know if it is historically accurate), the book takes a turn beyond unionization and towards communisms as a solution which is jarring and, to me, unneeded. Elsa's story is enough without that political addition. That being said, the conversations about poverty, inequity, and discrimination are timely. Although written about the 1930s, some of these conversations continue today even amidst the current prosperity of this nation.

The emotions and images of this book are powerful ones. The ending, when it comes, is shocking yet not surprising. It leaves a strong exclamation point on the story with lessons if we choose to remember. Elsa Wolcott is a memorable character, and the book is one that will stay with me for a long while.


Please share your thoughts and leave a comment. I would love to "talk" to you.

Tuesday, June 8, 2021

The Warsaw Orphan

Title:
  The Warsaw Orphan
Author:  Kelly Rimmer
Publication Information:  Graydon House. 2021. 416 pages.
ISBN:  1525811533 / 978-1525811531

Book Source:  I received this book through NetGalley and the HTP Historical Fiction Summer 2021 tour free of cost in exchange for an honest review.

Opening Sentence:  "The human spirit is a miraculous thing."

Favorite Quote:  "There are many ways to fight, but striving for justice is always worth the battle."

***** BLOG TOUR *****


Review

The context of this book, of course, begins in World War II, specifically around the summer of 1943 in Warsaw. In the heart of Warsaw, the Nazis created a walled off Jewish ghetto. The ghetto itself became ridden with death and disease, and then, the transportations to the death camps began. Thousands, hundreds of thousands perished.

There were people who tried to help. Irena Sendler, a Polish social worker and nurse whose team is credited with saving the lives of 2,500 Jewish children by smuggling them out of the ghetto.

There were also those who fought. Organizations like the Jewish Combat Organization formed a residence and stated an uprising the summer of 1943 that lasted for about a month. The outcome of that uprising was not a surprise.

The book then goes beyond the war to the politics and upheaval as a new threat of a Communist regime emerges.

This is the historical background for this story that, according to the author's note, "could have happened." The story itself, as the cover suggests, is of two young people. Emilia renamed Elzbieta and Roman. Emilia is an orphan, adopted into a loving home but living a secret. Roman, with a Catholic father and a Jewish mother, is a child living in the ghetto in constant fear of the death or disappearance of his family. Emilia is fourteen years old. Roman's age is around the same.

This is the second book I have read recently set in Poland during World War II. The Woman with the Blue Star by Pam Jenoff is a story of life in the sewers as a survival mechanism; the fiction is set in Krakow although the history is of Lvov. This book does not mention life in the sewers but does bring in the sewers as an escape route out of the ghetto in Warsaw. The connection, as always, is fascinating and sends me on the search for more of the history.

This book beautifully depicts a range of emotions from grief and desperation to anger. The anger channeled leads to uprisings and the anger unbridled puts people at risk and in harm's way. The depth of that emotion is difficult for us to comprehend. Both Emilia and Roman show the progression of this emotion and the different directions in which it may lead. My favorite character are the social workers, a composite of the work of Irena Sendler and her team. They all have their stories and their "why", but their selfless devotion to saving lives is inspirational.

The most profound impact of this book for me is the age of the main characters. They are young - children. Yet, they sound and behave as adults for that is the reality of their lives. They survive but their childhoods are forever lost. The fact is that in surviving, they are the lucky ones no matter the other losses they suffer. So many were mercilessly killed that survival alone was the goal. Time and time again throughout this book, the events and then the reminder of their ages makes the emotion and the horror that much greater.

About the Author

Kelly Rimmer is the worldwide, New York Times and USA Today bestselling author of Before I Let You Go, The Things We Cannot Say, and Truths I Never Told You. She lives in rural Australia with her husband, two children and fantastically naughty dogs, Sully and Basil. Her novels have been translated into more than twenty languages. Please visit her at https://www.kellyrimmer.com/

About the Book

With the thrilling pace and historical drama of Pam Jenoff and Kristin Hannah, New York Times bestselling author Kelly Rimmer's newest novel is an epic WWII saga and love story, based on the real-life efforts of two young people taking extraordinary risks to save their countrymen, as they try to find their way back to each other and the life they once knew.

Following on the success of The Things We Cannot Say, this is Kelly Rimmer's return to the WWII category with a brand new novel inspired by Irena Sendler, the real-life Polish nurse who used her access to the Warsaw ghetto to smuggle Jewish children and babies to safety.

Spanning the tumultuous years between 1942 and 1945 in Poland, The Warsaw Orphan follows Emilia over the course of the war, her involvement with the Resistance, and her love for Sergiusz, a young man imprisoned in the Jewish ghetto who's passion leads him to fight in the Warsaw Uprising. From the Warsaw ghetto to the Ravensbruck concentration camp, through Nazi occupation to the threat of a communist regime, Kelly Rimmer has penned her most meticulously researched and emotionally compelling novel to date.

Excerpt

Excerpted from The Warsaw Orphan by Kelly Rimmer, Copyright © 2021 by Lantana Management Pty Ltd. Published by Graydon House Books.

1
Roman
28 March, 1942

The human spirit is a miraculous thing. It is the strongest part of us—crushed under pressure, but rarely broken. Trapped within our weak and fallible bodies, but never contained. I pondered this as my brother and I walked to a street vendor on Zamenhofa Street in the Warsaw Ghetto, late in the afternoon on a blessedly warm spring day.

“There was one right there,” he said, pointing to a rare gap in the crowd on the sidewalk. I nodded but did not reply. Dawidek sometimes needed to talk me through his workday but he did not need me to comment, which was fortunate, because even after months of this ritual, I still had no idea what to say.

“Down that alleyway, there was one on the steps of a building. Not even on the sidewalk, just right there on the steps.”

I fumbled in my pocket, making sure I still had the sliver of soap my stepfather had given me. Soap was in desperate demand

in the ghetto, a place where overcrowding and lack of running water had created a perfect storm for illness. My stepfather ran a tiny dentistry practice in the front room of our apartment and needed the soap as much as anyone—maybe even more so. But as desperate as Samuel’s need for soap was, my mother’s need for food eclipsed it, and so there Dawidek and I were. It was generally considered a woman’s job to go to the market, but Mother needed to conserve every bit of strength she could, and the street vendor Samuel wanted me to speak to was blocks away from our home.

“…and Roman, one was behind a big dumpster,” he hesitated, then grimaced. “Except I think we missed that one yesterday.”

I didn’t ask how he’d come to that conclusion. I knew that the answer was liable to make my heart race and my vision darken, the way it did sometimes. Sometimes, it felt as if my anger was simmering just below the surface: at my nine-year-old brother and the rest of my family. Although, none of this was their fault. At Sala, my boss at the factory on Nowolipki Street, even though he was a good man and he’d gone out of his way to help me and my family more than once. At every damned German I laid eyes on. Always them. Especially them. A sharp, uncompromising anger tinged every interaction those days, and although that anger started and ended with the Germans who had changed our world, it cycled through everyone else I knew before it made its way back where it belonged.

“There was one here yesterday. In the middle of the road at the entrance to the market.”

Dawidek had already told me all about that one, but I let him talk anyway. I hoped this running commentary would spare him from the noxious interior that I was currently grappling with. I envied the ease with which he could talk about his day, even if hearing the details filled me with guilt. Guilt I could handle, I probably deserved it. It was the anger that scared me. I felt like my grip on control was caught between my sweaty hands and, at any given moment, all it would take was for someone to startle me, and I’d lose control.

The street stall came into view through the crowd. There was always a crush of people on the street until the last second before seven o’clock curfew. This was especially the case in summer, when the oppressive heat inside the ghetto apartments could bring people to faint, besides which, the overcrowding inside was no better than the overcrowding outside. I had no idea how many people were inside those ghetto walls—Samuel guessed a million, Mrs. Kuklin´ski in the bedroom beside ours said it was much more, Mother was quite confident that it was maybe only a hundred thousand. All I knew was that ours was not the only apartment in the ghetto designed for one family that was currently housing four—in fact, there were many living in even worse conditions. While the population was a hot topic of conversation on a regular basis, it didn’t actually matter all that much to me. I could see with my own eyes and smell with my own nose that however many people were trapped within the ghetto walls, it was far, far too many.

When the vendor’s table came into view, my heart sank: she was already packing up for the day and there was no produce left. I was disappointed but not surprised: there had been no chance of us finding food so late in the day, let alone food that someone would barter for a simple slip of soap. Dawidek and I had passed a store that was selling eggs, but they’d want zloty for the eggs, not a tiny scrap of soap.

“Wait here a minute,” I murmured to my brother, who shrugged as he sank to sit on an apartment stoop. I might have let him follow me, but even after the depths our family had sunk to over the years of occupation, I still hated for him to see me beg. I glanced at him, recording his location to memory, and then pushed through the last few feet of people mingling on the sidewalk until I reached the street vendor. She shook her head before I’d spoken a word.

“I am sorry young man; I have nothing to offer you.”

“I am Samuel Gorka’s son,” I told her. It was an oversimplification of a complicated truth, but it was the best way I could help her place me. “He fixed your tooth for you, remember? A few months ago? His practice is on MiĹ‚a Street.”

Recognition dawned in her gaze, but she still regarded me warily.

“I remember Samuel and I’m grateful to him, but that doesn’t change anything. I have no food left today.”

“My brother and I…we work during the day. And Samuel too. You know how busy he is, helping people like yourself. But the thing is, we have a sick family member who hasn’t—”

“Kid, I respect your father. He’s a good man, and a good dentist. I wish I could help, but I have nothing to give you.” She waved to the table, to the empty wooden box she had packed up behind her, and then opened her palms towards me as if to prove the truth of her words.

“There is nowhere else for me to go. I can’t take no for an answer. I’m going to bed hungry tonight, but I can’t let…” I trailed off, the hopelessness hitting me right in the chest. I knew I would be going home without food for my mother that night, and the implications made me want to curl up in a ball, right there in the gutter. But hopelessness was dangerous, at least in part because it was always followed by an evil cousin. Hopelessness was a passive emotion, but its natural successor drove action, and that action rarely resulted in anything positive. I clenched my fists, and my fingers curled around the soap. I pulled it from my pocket and extended it towards the vendor. She looked from my palm to my face, then sighed impatiently and leaned close to me to hiss,

“I told you. I have nothing left to trade today. If you want food, you need to come earlier in the day.”

“That’s impossible for us. Don’t you understand?”

To get to the market early in the day one of us would have to miss work. Samuel couldn’t miss work; he could barely keep up as it was—he performed extractions from sunup to curfew most days. Rarely was this work paid now that money was in such short supply among ordinary families like his patients, but the work was important—not just because it afforded some small measure of comfort for a people group who were, in every other way, suffering immensely. But every now and again Samuel did a favor for one of the Jewish police officers or even a passing German soldier. He had a theory that one day soon, those favors were going to come in handy. I was less optimistic, but I understood that he couldn’t just close his practice. The moment Samuel stopped working would be the moment he had to perform an honest reckoning with our situation, and if he did that, he would come closer to the despair I felt every waking moment of every day.

“Do you have anything else? Or is it just the soap?” the woman asked me suddenly.

“That’s all.”

“Tomorrow. Come back this time tomorrow. I’ll keep something for you, but for that much soap?” She shook her head then pursed her lips. “It’s not going to be much. See if you can find something else to barter.”

“There is nothing else,” I said, my throat tight. But the woman’s gaze was at least sympathetic, and so I nodded at her. “I’ll do my best. I’ll see you tomorrow.”

As I turned away, I wondered if it was worth calling into that store to ask about the eggs, even though I knew that the soap wasn’t nearly enough for a whole egg. It wasn’t enough for even half an egg here on the market, and the stores were always more expensive than the street vendors. Maybe they would give me a shell? We could grind it up and Mother could drink it in a little water. We’d done that once before for her. It wasn’t as good as real food, but it might help a little overnight. It surely couldn’t hurt.

As I spun back towards our apartment, a burst of adrenaline nearly knocked me sideways. Dawidek hadn’t moved, but two Jewish police officers were now standing in front of him. Like me, my brother was tall for his age—an inheritance from our maternal grandfather that made us look bizarre when we stood with Samuel and Mother, who were both more diminutive. Even so, he looked far too small to be crowded into the doorway of an apartment by two Jewish Police officers. That situation could turn to bloodshed in a heartbeat. The Kapo operated on a spectrum from well-meaning and kindly to murderously violent, and I had no way of knowing what kind of Kapo were currently accosting Dawidek. My heart thundered against the wall of my chest as I pushed my way back to them, knowing even as I approached that intervening could well get me shot.

For everything I had been through and for everything I had seen, the only thing that kept me going was my family, especially Dawidek. He was my favorite person in the world, a burst of purity in an environment of pure evil. Some days, the only time I felt still inside was when he and I were playing or talking in the evenings—and that stillness was the only rest I got. I could not live without him, in fact—I had already decided that if it came to that, I wouldn’t even try.

“Dawidek?” I called as I neared. Both Kapo turned toward me. The one on the left, the taller one, sized me up as if an emaciated, unarmed 16-year-old was any kind of threat. I knew from bitter experience that the smart thing to do would have been to let Dawidek try to talk his own way out of this. He was nine years old but used to defending himself in the bizarrely toxic environment of the Ghetto. All day long, he was at his job alone, and I was at mine. He needed his wits about him to survive even an hour of that, and I needed to trust that he could handle himself.

But I couldn’t convince myself to be smart, even when I knew that what I was about to do was likely to earn me, at best, a severe beating. I couldn’t even stop myself when the Kapo gave me a second chance to walk away. They ignored me and kept their attention on my brother. “Hey!” I shouted, loud enough that my voice echoed up and down the street, and dozens of people turned to stare. “He’s just a kid. He hasn’t done anything wrong!”

I was mentally planning my next move. I’d make a scene, maybe push one of the Kapo, and when they turned to beat me, Dawidek could run. Pain was never pleasant, but physical pain could also be an effective distraction from mental anguish, which was the worst kind. Maybe I could even land a punch, and that might feel good. But my brother stepped forward, held his hands up to me and said fiercely, “These are my supervisors, Roman. Just supervisors on the crew. We were just talking.”

My stomach dropped. My heartbeat pounded in my ears and my hands were hot.—I knew my face was flushed raspberry, both with embarrassment and from the adrenaline. After a terse pause that seemed to stretch forever, the Kapo exchanged an amused glance, one patted Dawidek on the back, and they continued down the street, both laughing at me. Dawidek shook his head in frustration.

“Why did you do that? What would you do, even if I was in trouble?”

“I’m sorry,” I admitted, scraping my hand through my hair. “I lost my head.”

“You’re always losing your head,” Dawidek muttered, falling into step beside me, as we began to follow the Kapo back towards our own apartment. “You need to listen to Father. Keep your head down, work hard and hope for the best. You are too smart to keep making such dumb decisions.”

Hearing my little brother echoing his father’s wisdom in the same tone and with the same impatience was always jarring, but in this case, I was dizzy with relief, and so I messed up his hair, and let out a weak laugh.

“For a nine-year-old, you are awfully wise.”

“Wise enough to know that you didn’t get any food for mother.”

“We were too late,” I said, and then I swallowed the lump in my throat. “But she said that we should come back tomorrow. She will set something aside for us.”

“Let’s walk the long way home. The trashcans on Smocza Street are sometimes good.”

We were far from the only family in the ghetto who had run out of resources. We were all starving and any morsel of food was quickly found, even if it was from a trashcan. Still, I was not at all keen to return to our crowded apartment, to face the disappointment in my stepfather’s gaze or to see the starvation in my mother’s. I let Dawidek lead the way, and we walked in silence, broken by his periodic bursts of commentary.

“We picked one up here… Another over there… Mordechai helped me with one there.”

As we turned down a quiet street, I realized that Dawidek’s Kapo supervisors were right in front of us, walking a few dozen feet ahead.

“We should turn around, I don’t want any trouble with those guys,” I muttered. Dawidek shook his head.

“They like me. I work hard and don’t give them any trouble. Now that you have stopped trying to get yourself killed, they won’t bother us, even if they do notice us.”

Just then, the shorter policeman glanced towards the sidewalk on his right, and then he paused. He waved his companion ahead, then withdrew something from his pocket as he crouched low to the ground. —I was far too far away to hear the words he spoke, but I saw the sadness in his gaze. The Kapo then rose and jogged ahead to catch up with his partner. Dawidek and I continued along the street, but only when we drew near where he had stopped did I realize why.

We had been in the ghetto for almost two years. Conditions were bad to begin with, and every new day seemed to bring new trials. I learned to wear blinders—to block out the public pain and suffering of my fellow prisoners. I had walked every block of the ghetto, both the Little Ghetto with its nicer apartments where the elite and artists appeared to live in relative comport, and through the Big Ghetto, where poor families like my own were crammed in, trying to survive at a much higher density. The footbridge on ChĹ‚odna Street connected the two and elevated the Ghetto residents above the “Aryan” Poles, and even the Germans, who passed beneath it. The irony of this never failed to amuse me when I crossed. Sometimes, I crossed it just to cheer myself up.

I knew the Ghetto inside and out, and I noticed every detail, even if I had taught myself to ignore what I saw as much as I could. I learned not to react when an elderly man or woman caught my hand as I passed, clawing in the hopes that I could spare them a morsel of food. I learned not to so much as startle if someone was shot in front of my eyes. And most of all, I learned to never look at the face of any unfortunate soul who was prone on the sidewalk. The only way to survive was to remain alert so I had to see it all, but I also had to learn to look right through it. The only way to manage my own broiling fury was to bury it.

But the policeman had drawn my attention to a scene of utter carnage outside of what used to be a clothing store. The store had long ago run out of stock and had been re-purposed as accommodation for several families. The wide front window was now taped over with Hessian sacks for privacy; outside of that window, on the paved sidewalk, a child was lying on her stomach. Alive, but barely.

The Ghetto was teeming with street children. The orphanages were full to bursting which meant that those who weren’t under the care of relatives or kindly strangers were left to their own devices. I saw abandoned children, but I didn’t see them.

I’d have passed right by this child on any other day. I couldn’t even manage to keep my own family safe and well, so it was better to keep walking and spare myself the pain of powerlessness. But I was curious about what the policeman had given the child, and so even as we approached her, I was scanning—looking to see what had caught his attention and to try to figure out what he’d put down on the ground.

Starvation confused the normal growth and development of children, but even so, I guessed she was two or three. She wore the same vacant expression I saw in most children by that stage. Patches of her hair had fallen out, and her naked stomach and legs were swollen. Someone had taken her clothing except for a tattered pair of underwear, and I understood why.

This child would not be alive by morning. Once they became too weak to beg for help, it didn’t take long, and this child was long past that point. Her dull brown eyes were liquid pools of defeat and agony.

My eyes drifted to her hands. One was lying open and empty on the sidewalk beside her, her palm facing upward, as if opening her hands to God. The other was also open, slumped against the sidewalk on the other side of her, but this palm was not empty. Bread. The policeman had pressed a chunk of bread beneath the child’s hand. I stared at the food and even though it was never going to find its way to my lips, my mouth began to water. I was torturing myself, but it was much easier to look at the bread than at the girl’s dull eyes.

Dawidek stood silently beside me. I thought of my mother, and then crouched beside the little girl.

“Hello,” I said, stiff and awkward. The child did not react. I cast my gaze all over her face, taking it in. The sharp cheekbones. The way her eyes seemed too big for her face. The matted hair. Someone had once brushed this little girl’s hair, and probably pulled it into pretty braids. Someone had once bathed this child, and tucked her into bed at night, bending down to whisper in her ear that she was loved and special and wanted.

Now, her lips were dry and cracked, and blood dried into a dirty black scab in the corner of her mouth. My eyes burned, and it took me a moment to realize that I was struggling to hold back tears.

“You should eat the bread,” I urged softly. Her eyes moved, and then she blinked, but then her eyelids fluttered and fell closed. She drew in a breath, but her whole chest rattled, the sound I knew people made just before they died—when they were far too ill to even cough. A tear rolled down my cheek. I closed my eyes, but now, instead of blackness, I saw the little girl’s face.

This was why I learned to wear blinders, because if you got too close to the suffering, it would burn itself into your soul. This little girl was now a part of me, and her pain was part of mine.

Even so, I knew that she could not eat the bread. The policeman’s gesture had been well-meaning, but it had come far too late. If I didn’t take the bread, the next person who passed would. If my time in the ghetto had taught me anything, it was that life might deliver blessings, but each one would have a sting in its tail. God might deliver us fortune, but never without a cost. I would take the bread, and the child would die overnight. But that wouldn’t be the end of the tragedy. In some ways, it was only the beginning.

I wiped my cheeks roughly with the back of my hand, and then before I could allow my conscience to stop me, I reached down and plucked the bread from under the child’s hand, to swiftly hide it my pocket. Then I stood, and forced myself to not look at her again. Dawidek and I began to walk.

“The little ones should be easier. I don’t have to ask the big kids for help lifting them, and they don’t weigh anything at all. They should be easier, shouldn’t they?” Dawidek said, almost philosophically. He sighed heavily, and then added in a voice thick with confusion and pain. “I’ll be able to lift her by myself tomorrow morning, but that won’t make it easier.”

Fortune gave me a job with one of the few factories in the ghetto that was owned by a kindly Jew, rather than some German businessman only wanting to take advantage of slave labor. But this meant that when the Kapo came looking for me at home, to help collect the bodies from the streets before sunrise each day, the only other viable person in our household was my brother.

When Dawidek was first recruited to this hideous role, I wanted to quit my job so that I could relieve him of it. But corpse-collection was unpaid work and my factory job paid me in food—every single day, I sat down to a hot lunch, which meant other members of my family could share my portion of rations. This girl would die overnight, and by dawn, my little brother would have lifted her into the back of a wagon. He and a team of children and teenagers, under the supervision of the Kapo, would drag the wagon to the cemetery, where they would tip the corpses into a pit with dozens of others.

Rage, black and red and violent in its intensity, clouded the edges of my vision and I felt the thunder of the injustice in my blood. But then Dawidek drew a deep breath, and he leaned forward to catch my gaze. He gave me a smile, a brave smile, one that tilted the axis of my world until I felt it chase the rage away.

I had to maintain control. I couldn’t allow my fury to destroy me, because my family was relying on me. Dawidek was relying on me.

“Mother is going to be so excited to have bread,” he said, his big brown eyes lighting up at the thought of pleasing her. “And that means Eleonora will get better milk tomorrow, won’t she?”

“Yes,” I said, my tone as empty as the words themselves. “This bread is a real blessing.”

Social Links

Author website: https://www.kellyrimmer.com/
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Tuesday, May 8, 2018

The Great Alone

Title:  The Great Alone
Author:  Kristin Hannah
Publication Information:  St. Martin's Press. 2018. 448 pages.
ISBN:  0312577230 / 978-0312577230

Book Source:  I received this book as a publisher's galley through NetGalley free of cost in exchange for an honest review.

Opening Sentence:  "That spring, rain fell in great sweeping gusts that rattled the rooftops."

Favorite Quote:  "... home was not just a cabin in a deep woods that overlooked a placid cove. Home was a state of mind, the peace that came from being who you were and living an honest life. There was no going halfway home. She couldn't build a new life on the creaky foundation of a lie. Not again. Not for home."

Were you ever out in the Great Alone, when the moon was awful clear,
And the icy mountains hemmed you in with a silence you most could hear;
With only the howl of a timber wolf, and you camped there in the cold,
A half-dead thing in a stark, dead world, clean mad for the muck called gold;
While high overhead, green, yellow and red, the North Lights swept in bars? —
Then you've a hunch what the music meant. . . hunger and night and the stars.
The Shooting of Dan McGrew
by
Robert W. Service

This verse written about the vast beauty of Alaska is the source of the title for this book. The other inspiration for the setting comes from Kristin Hannah's own life. Part of her life was spent in Alaska after her parents left corporate life for a different adventure in Alaska.

The flip side of the incredible beauty of Alaska is a darker side. It is a harsh environment in which to live, and potential dangers - isolation, extreme weather, wilderness - are ever present in the environment. Within that, too, lie vibrant, close knit communities of individuals who call Alaska home. "Any life that could be imagined could be lived up here."

These layers carry over into the dark and often times sad story of this book. This is the story of POW and veteran Ernt Allbright suffering from post-traumatic stress disorder and its devastating effects on him and his family. This is the story of an abusive marriage and Cora, a woman who time and again makes the choice to stay. Ultimately, it is the story of Leni, the child of that marriage.

Ernt Allbright on a quick decision moves his family to Alaska, with a wish to start over. "Alaska isn't about who  you were when you headed this way. It's about who you become." Unfortunately, he brings his demons with him. Cora and Leni survive as they always have. In Alaska, though, they find beauty, friendship, and a community. The community sees the reality of their lives and is ready to help should Cora and Leni choose to accept it.

I am not going to presume to judge why Cora stays. Based on nonfiction research, I know that staying in an abusive relationship for a long period of time happens with greater frequency than we would like to imagine possible. I also know that help can often times not be given unless the individual in the situation takes the first step. Actions have to be reported. Cases have to be filed. Conversations need to be started. In this story, Cora stays, and therefore, so does Leni.

The setup and the beginning of the book is intense in the characters, the setting, the situation, and the emotion. It has a sympathetic main character to care about. The events seem frighteningly real especially narrated from Leni's perspective. Surrounding it is the ever present vast beauty and danger of Alaska.

However, as the book proceeds, it is the same characters and the same theme, but the story loses its intensity and its believability. It seems like a race to incorporate every bad thing that can happen into this one story. With a small cast of characters, it is impossible to say where this book goes without a spoiler. Let's just say that it goes too far and undermines the "reality" of the powerful setup of the book. This is one that would receive a higher rating from me had it stopped at one major turning point in the story and left the reader with that dramatic conclusion.


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Sunday, February 1, 2015

The Nightingale

Title:  The Nightingale
Author:  Kristin Hannah
Publication Information:  St. Martin's Press. 2015. 448 pages.
ISBN:  0312577222 / 978-0312577223

Book Source:  I received this book through a publisher's giveaway free of cost in exchange for an honest review. Thank you Shelf Awareness.

Opening Sentence:  "If I have learned anything in this long life of mine, it is this:  In love we find out who we want to be; in war we find out who we are."

Favorite Quote:  "If I have learned anything in this long life of mine, it is this:  In love we find out who we want to be; in war we find out who we are." (The opening sentence is indeed my favorite quote from the book.)

Viann Mauriac and Isabelle Rossignol are sisters. They lost their mother at a young age and were abandoned by their father. Viann married young and is now a mother to young Sophie. Isabelle is still searching for where she belongs in life. Is it with her father who seems not to want her? Is it with her sister, who seems to have left Isabelle behind in creating her new life with husband and child? Is Isabelle alone?

War has come to France. Officially, the government of France has surrendered to German forces. What does the surrender bring? Peace or subjugation? Should the French people resist? What is the cost of surrendering, and what is the cost of resistance?

Viann and Isabelle take different paths through the war, both seeking to preserve what they hold dear. Viann's husband is a soldier at war, and she has a young child to think of. The Germans have invaded her village and her very home. What is the price she is willing to pay to keep her daughter safe? Can she stay removed from the rest of the conflict and keep her focus on her daughter? At what point are the atrocities she sees become too much and come too close to home for her to take a stand? In her own way, with quiet strength, Viann becomes a hero.

In the French resistance, Isabelle finds a place to belong and a purpose to channel the love and energy that has not found a place since the death of her mother. She is willing to go further and take greater risks for what she believes. She becomes not only a hero but a symbol of the Resistance.

Two women with different paths, but each leading to acts of heroism at a great cost to their own lives.

Kristin Hannah's note to reader states that a goal for this book is to remember the stories of the women in the war for they are "all too often forgotten or overlooked." This book captures a story of World War II and the French resistance - the very different but equally important roles of two women.

The book begins decades later, in 1995, with the reflections back of one unnamed woman. The book deliberately does not state whether it is Viann and Isabelle reflecting back. Do both survive or just one? If just one, then which one? You have to wait until the end to find out.

The premise of this book is a strong one, as is the setting and the history from which it draws.  However, reading it, I had the feeling throughout that I have read this story before. If not exactly this story, then many like it.

Given the horrific experiences of the sisters during the war, I expected the book to grab my attention and emotion and hold it throughout. It does not. The events seem predictable - love found during the war, a secret hiding place in a barn, a reconciliation, a sacrifice, etc. The book at times is also overly melodramatic; everything seems to happen to these sisters - rape, betrayal, love, loss, capture, torture, and more. The history of this time period is strong enough for an emotional story. Every negative experience of a war scenario does not need to be included; sometimes less is more.

The book is readable as are most of Kristin Hannah's books. The characters are sympathetic as are most of her characters. The story depicts an aspect of history that should be remembered. It's just not as strong an addition to this genre as have come before.


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Tuesday, February 7, 2012

Home Front


Title:  Home Front
Author:  Kristin Hannah
Publication Information:  St. Martin's Press. 2012. 390 pages.

Book Source:  I received this book through the GoodReads First Reads program free of cost in exchange for an honest review. The book came as a paperback advance readers' edition from the publisher.

Favorite Quote:  "It doesn't matter what you think of the war, you have to be grateful to the warriors, of whom we ask so much. To whom we sometimes give so little."

Home Front is a story of a soldier and her family. It is a story of war. But not the political or national or ideological view of war. A story of war from the perspective of those who fight and those who love them - on the home front.

Jolene is a member of the National Guard. She joined the military out of need following a very difficult home life and childhood. Michael and Jolene have a troubled marriage as both struggle to cope with their past and their expectations. They have two children - Betsy and Lulu.

Everyday life is about children, schools and careers. Michael is an attorney. Jolene flies Black Hawk helicopters for the National Guard. Life goes on. And, then, Jolene is deployed. The book then deals with what happens after - soldiers on the front, those at home trying to cope, and veterans when they return home.

I do not know many military families. So, I can't say how accurate a picture this book portrays. For me, it was a heart wrenching image of the sacrifice soldiers and their families make. No matter what the differences that create a war, the sacrifices of the soldiers on any side of a war are immense.

The story is a dramatic one. This book is not a political discussion on the "right" or "wrong" of war. It is rather a tribute to individual soldiers and a commentary on the veteran's services provided for them.